Kushiel's Scion (Kushiel's Legacy)

I was so looking forward to this book. I'd never heard of the series but was enthralled and enjoyed all three of the initial books. Phedre is a unique and fascinating character. I couldn't wait for more. I was shocked to see Phedre was no longer the narrator in this book.

The young prince is a slightly interesting supporting character but I have absolutely NO DESIRE to read any books with him as the main character. I am very disappointed and will not be purchasing any more books in the series. The direction this series has taken is a catastrophic error.

This book is just simply amazing! Read it and you'll want more. You'll want to start off with the original trilogy and then read the second trilogy in its entirety. Order all six books! Do it right now! It will be money well spent!

As with the others, I was sceptical. Her fantasy books were barely readable. But this was book was just as exciting and page turning as with all the other Kushiel books. I am waiting for the next installment with great anticipation!

I guess I cant expect as much action as in Phedres series. Imriel is likable, but hes okay, not great. I guess its not what I expected. Neither was Alais, and she had a lot of potential. If this series continues, I would by the second book though. This book seems like an introduction, and my interest is piqued. Not bad, but it drags.

To begin with, I should say that I haven't read Ms. Carey's first Kushiel series, which may make me unique among those who have reviewed this book thus far. I'm familiar enough with the premise, however, that the last thing I would have expected from this novel was to be bored by it. Yet that's exactly what happened.

Ms. Carey's writing style is graceful, there's no doubt about that, and she knows how to pace a novel. What this book lacked, however, was a solid emotional core of any sort. Imriel is nice enough, but ultimately colorless and uninteresting. One might even call him shallow. The fact that he suffers from PTSD as a result of abuse suffered during childhood automatically makes him an object of sympathy, but not necessarily a compelling adult. He might become one with time, but we don't see that happening here.

Ms. Carey's fantasy world is also worthy of remark. She's set her action in what is basically early Renaissance Europe, minus Christianity, and with what appears to be a curiously stunted version of English, Gaelic, and German culture. The French are way out ahead of everyone, as a result of their noble houses (but not the commons, I guess) being descended directly from the apostles (who might be angels of some sort; it's impossible to tell) of an ersatz-Jesus named Elua. This will be gratifying to admirers of nobility in general and French nobility in particular, but to those (like myself) who do like to see the gritty reality of 'normal life' in their fantasy, this focus will disappoint. And apparently, if you want to find *real* depravity in this world, you've got to go to the Muslim areas of the map to do so. Yes, I know, there are no more Muslims in this book than there are Christians in it, but when you use a pseudo-real-world backdrop for your book, and then locate the Worst Guy Ever in a Muslim region, people will notice. Not that this has much to do with anything in this particular book; I just found it curious. And unimaginative.

All things considered, I can't recommend this book. There is no suspense in it. The best I could muster was mild interest. I suppose if you're a diehard fan of Carey's, you'll want to read it. Otherwise, you'll probably be better served by giving it a pass.

Reviewed by Francesca by Under the Covers Book Blog

It’s always a pleasure to immerse myself in this world. What I’ve noticed after several books is the fact that this second trilogy with Imriel as the narrator is definitely different for me as a reading experience than Phedre’s. That not necessarily a bad thing, but I think what I struggle is the fact that I’m missing that deep level of despair that Phedre was going through. Imriel is a younger character and while he’s still going through a lot of serious things and wow has he matured in two books with what life has thrown at him, he’s not Phedre. And I keep waiting for that same feeling to come to me.

So putting that aside and just thinking about this book, I definitely enjoyed this one more than the first. Imriel doesn’t start out as a “spoiled” child (and I say that loosely because he really never was that bad). We now understand his love for Sidonie and you hurt along with him when they are torn apart not knowing what their future will be. Imriel grows into his sense of honor and responsibility. Which I was proud to see. There was introspection and a level of self awareness that he reaches that wasn’t an easy task for him to achieve and Ms. Carey did a wonderful job at taking us on that journey with him. And of course, any cameos of Joscelin and Phedre always put a smile on my face and we got some of that in this book as well.

If you haven’t read this epic story and are looking for something to transport you out of this world, then I highly suggest these books. Lush world building, lyrical writing and compelling characters will keep you turning the pages.

Carey is banking on her success with Phedre's trilogy to support readers through the book. The main conflict of the plot doesn't start until - I kid you not - after page 600. Before that, it meanders through Imriel's childhood and teen years with no clear goal. as much as I love for characters to have a good backstory, there needs to be a solid conflict driving the story. Until the siege of Lucca, the conflict is...vague concerns about "dark yearnings" that are never really explored? School? A boring affair? A lot of these elements could be great if they were more fully fleshed out, but packed all into one book like this, they get confused and lack any sense of urgency. Somehow the book is too short to contain all the wandering plot threads, but too long to maintain my interest. Tighten it up! I feel like I don't really know Iri. I don't understand his motivations.
That said, Phedre's trilogy was impressive enough and built up enough goodwill that I'll definitely give the next book a read. Sometimes it's hard to switch gears, especially as an author who knows enough about the backstory and wants to share it with the world. Hopefully this book serves more as a bridge between Phedre's story and Imriel's, and the next books will dive deeper into the real meat. We'll see.

Having read--and ultimately enjoyed--the original three books in this universe at the suggestion of my wife, I was hoping to find this new series as enjoyable. Sadly, if this first book is any indication, it won't be.

First, let me say that the book was not terrible. Jacqueline Carry writes very well and creates a cast of characters that are rather three-dimensional. Her odd, alternate-history universe continues to be an interesting blend of early Renaissance and Classical cultures.

But without rehashing the plot as many reviewers have, I will simply say that I found Imriel to be a less than compelling narrator and the story itself similar underwhelming. While I want to feel sympathy for Imriel given his plight in the last book, I instead find myself rather bored by his incessant angst and quasi-adventures.

The book starts rather well. I found Imriel's initial development to be interesting enough. But by the time he heads off to Tiberium (Rome), the book takes a turn. The entire second act was rather uninteresting to me. Not awful, mind you--just not enormously interesting. I rarely felt compelled to read the book--only obligated.

The third act is better than the second, but not what I would call "gripping." Kudos to Carrey for at least making some attempt at portraying a siege a bit more realistically than the (largely ahistorical) "army shows up, army assaults town" strategy that most fantasy authors prefer. Still, the siege does end with an assault of sorts, so I'm not sure how far to extend my appreciation for her attempt to break the mould here. Renaissance siege engines weren't good enough?

I'm hoping the series improves. I found the original series did so: books two and three of the first series were a good bit better than the first, in my opinion. But the Imriel trilogy has a lot more to improve upon than the first trilogy did after Kushiel's Dart. Because Carry's mastery of the English language alone will not be sufficient to carry two more books at this rate.

This is the first volume of a sequel trilogy to Jacqueline Carey's original Kushiel series. The question of course is, should I continue reading books in this series? Or has the series become infected with sequelitis and is it better to quit while you're ahead? The answer very simply is that it's worth continuing.

This volume is told in first person from the point of view of Imriel, the son of the sociopathic villainess of the original series. Ironically, Imriel ends up being raised by the heroic couple from the first books (Phedre and Joscelin). This volume tells of his coming of age through his teenage years, including going off to college.

In truth, not much happens in this book, but I didn't mind and I don't think other readers will either. If I may generalize, I think we're less concerned with `action' than with the characters, love Carey's vividly luscious alternate Renaissance Europe and get a lot of pleasure out of her beautiful prose. Judging from the other reviews, only a small percentage of readers are discontented by the leisurely place of the novel. The rest are reveling in it all. It seems obligatory to overdo world-building these days, but Carey's world is different: I would have never imagined that reading an epic fantasy novel would have me itching to hunt down some classics from Antiquity to read, but the chunk of the book set in `Tiberium' [Rome] had me doing that. Any kind of sequelitis is more than made up for by Carey maturing as a writer.

I should forewarn of a few things, however. First, the transitions between the different parts of the novel are abrupt and can seem a little forced. But this is typical of Carey: the characters are enjoying life at a slow pace and then a trapdoor opens up underneath them. Second, Imriel meets a new group of people and there's one question about them that it seems really, really, really obvious he should ask but it's hundreds of pages before that occurs to him.

And third, this book reminds me of this awesome pizza place a couple of blocks away from where I live. I've learned I should only buy by the slice because if I order a pie I'll just keeping eating and eating but then half an hour later, I have this feeling of, "Maybe that was too much of a good thing." With this novel weighing in at 940 pages, I was starting to feel that way by the end. This feeling is intensified by the inner margins of the paperback being so small that you have to substantially crack the binding to see everything clearly.

Jacqueline Carey is something of an outlier in the world of epic fantasy. She is almost completely ignored by the fantasy/science fiction/horror establishment. Perhaps it's because she doesn't write very many short stories, which is where critical acclaim is, or she doesn't go to that many conventions. They don't seem to appreciate how innovative, if not revolutionary, her approach to epic fantasy is. They'll likely someday catch up with her readers: I suspect that of all the traditional fantasy series being written now, Carey's will be the one still in print twenty years hence. (And perhaps then her non-Kushiel series, The Sundering, will get its due. Not even the cult followers of the Kushiel series seem to see its considerable merit.)

Whenever asked for "What should I read next?" book ideas I recommend Jaqueline Carey and this series along with G RR Martin or B Sanderson.

I was hesitant at first, when beginning this second trilogy of hers, thinking that replacing Phaedre with a male character in the second trilogy was a mistake, but Imriel quickly grew on me. Carey writes very full and ... desirable... characters and while I think the plot of the first book is not quite as interesting as the two that follow it is still a great introduction to the characters and a pleasure to read.

"I felt at once tired and sad. "Why would you think it was anything else, Sidonie? Who told you to be afraid of me?"

Jacqueline Carey revisits her engaging world previously conceived in the first of the "Kushiel Legacy" trilogy with a fervor and skill that we have come to know and love. She deftly weaves the previous storyline of Phedre and her companion, Joscelin, into a new tale surrounding Imriel, the son of the traitorous Melisande Shahrizai, Phedre's former patron and greatest enemy. Imriel, recovering from the horrors of Darsanga, cannot wholly escape his past. He is now laboring under a new mantra, having been adopted into Phedre's household... "I will try to be good".... In other words, he is trying not to succumb to the treacherous nature of his blood and the cruel and malign hand of the God Kushiel, whom the Shahrizai are direct descendents of.

The story begins when Imriel is thirteen, three years after his rescue from Darsanga and after the fateful trip that released the Master of the Straits, Phedre's childhood friend Hyacinthe, from his eternal curse. Now, Imriel is growing up, learning the discipline of the Casseline Brotherhood under Joscelin's tutelage, and trying to forget the fact that he is a Prince, third in line for the throne of Terre d'Ange. There are the beginning stirrings of puberty and manhood taking their toll, but Imriel is still far too tortured from Darsanga to heed their call. Suddenly, something no one excepts occurs; Melisande disappears from the Temple of Asherat without a trace. This causes a stir in the Royal Court, but Imriel tries to remain above it. Some time later, at the behest of Phedre, he decides he wants to become friendlier with his Shahrizai relatives so his cousins Mavros, Baptiste, and Roshana come to be fostered at the Montreve estate for a summer. It is then that he discovers the true nature of what lies in his blood, and begins to realize the beginning stirrings of desire which he attempts to quell. During the same year the son of Grainne and Quintilus Rousse, Eamonn mac Grainne, comes to the estate and falls into a fast friendship with Imriel.

"Is it possible to fall upward? It seemed it to me. Lying on my back, I fell upward into Emmeline; into her mouth, into her. Every part of me she had touched and made sacred blazed with desire that was Naamah's gift, clean and pure, untouched by any shadow. I offered it back as tribute, and she accepted it with gladness.."

When Imriel turns 16 he visit's the Balm house and couples with the adept, Emmeline, who teaches him the true nature of desire. This helps him to repress some of the atrocities of Darsanga, but healing is very hard to come by. It is not until his cousins take him to Valerian house when he truly begins to know himself, and the cruel hand of his lord Kushiel. To his horror he realizes the allure of power over another and this knowledge, combined with the realization that it will forever alter his and Phedre's relationship causes him to flee to Tiberium, assuming the life of a poor student so that he may attempt to flee his duties, including a proposition that he wed the Princess Dorelai of Alba.

Carey's incomparable with and narrative are still very present in this revisiting of the Kushiel world. I found myself powering through the book with extreme alacrity. The one part that I did not find myself enjoying, however, was the siege of Lucca. To be frank, I skipped some of it. I cannot even say why but I found it to be tedious and uninteresting, which is the only reason I am rating the book 4 stars instead of five.

The remainder of the book, however, was superb, and I found myself falling in love with Imriel as a narrator and the protagonist. Actually, for a time, I thought that he was more interesting than Phedre. Of course, he has a more interesting basis for comparison, as he is the son of Melisande Shahrizai, and he has all of his past to contend with. I found him to be extremely empathetic and tragic, and that made me compelled to read the book that much more swiftly. Plus, the fact that he was a dominant sexually, as opposed to Phedre's submissive tendencies, but was fighting against his own nature, made him more exciting to read. I adored this book, with the exception of the one detail of Lucca, and would recommend this series to everyone. Carey has definitely found another way to captivate an audience with the world of Terre d'Ange and I applaud her for doing so.

"I was tired of being afraid."

Kushiel's Justice is the second in the Imriel Trilogy of Jacqueline Carey, and thus the fifth book overall set in her sumptuous alternate history set around Terre D'Ange, the land of angels.

Not for those new to this series or the author, Kushiel's Justice continues to highlight Carey's strongest suit, world-building, as we continue to follow the story of Imriel. The son of the disgraced Melisande Shahrazai matures in this novel, and his refusal to follow the precept of Blessed Elua (with respect to his secret lover) has far reaching, and tragic consequences.

Carey's worldbuilding and Imriel's adventures bring him a marriage, a trip to Alba (England), and the loss of his wife takes him to a completely new land in the series: Vralia (in our world, Russia). The details of her alternate world continue to be teased out, and kept me as a reader continuing to read.Carey has quickly catapulted herself to the level of the best writers of alternate history in this regard.

I am not convinced that Imriel is quite as good a protagonist as Phedre was; I have a sneaking suspicion that in the reversal of the usual problem, Carey writes female characters in far better detail and motivation than her male characters. Indeed, I found the daughters of the Queen, Alais and Sidonie, somewhat more convincing than Imriel himself as a character. Still, Imriel does grow throughout the book and I look forward to seeing if this character growth is sustained in the third and final novel of the series.

Anyone who has followed Carey's novels to this point will not be disappointed in Kushiel's Justice.

Along with (apparently) the rest of the world (or at least those who aren't squeamish), I adored Kushiel's Dart. Someday, I will write a review about it, and I suspect the store will reject it for pure length. The following books were not quite so grand. Chosen was fine, if not quite up to par with the first, but Avatar...Avatar I sort of loathed.

I was a little wary, then, of picking up Scion. I knew it had a new POV character, and I was a little fearful of how that would work out. Having finally screwed up my courage, I can say it works out all right.

The book is certainly better than Kushiel's Avatar, thank God. Carey manages the switch from Phedre to Imriel with panache and to her credit is just as adept writing from a male perspective as she is from a female one (particularly with first-person writers, this is not always the case). Imriel feels realistic and well-realized, and though he's perhaps not as entrancing as Phedre was in her introduction, he's still a great character in his own right.

Carey's prose has not slackened in its brilliance either, and there are some moments (Imriel's description of the Shahrizai comes to mind) which were sheer literary gold, some of her best stuff to date. Indeed, all of Imriel's childhood was strikingly beautiful and a little ethereal. I have almost no issues with this section of the book, aside from one minor annoyance, which I'll mention below.

The trouble comes, as per Carey usual, somewhere in the middle of the book. Carey always begins strong, but the fire of her interest seems to wane as time goes on, leading to slow pacing and plodding narrative. This was even true of Dart, but Carey came back almost instantly with Waldemar Selig and didn't stop until the conclusion.

In this case, she tries to do the same thing, but never quite makes it work. The pacing slows substantially as time goes on, and even the prose gets a little listless. Imriel becomes less magnetic as a narrator as well. The journey to Tiberium and all that goes on there is, I suspect, supposed to give us the same thing as Dart (or Chosen, or Avatar...it's hard to say Carey doesn't follow a template, albeit a good one), with the action-packed adventures outside of Terre d'Ange following some sort of crisis (emotional or otherwise) at home. This has sometimes worked and sometimes been...well, not so effective. Unfortunately, Tiberium falls into the latter camp, as it really doesn't feel that relevant. It doesn't have much bearing on Imriel's main plot, and mostly just ends up giving the sensation that Carey is tossing it in as a kind of time-waster. Imriel's narrative itself supports this: he's running away from his issues, and essentially, Tiberium is just a dalliance. While it's still interesting, with an affair and a siege and a bit of intrigue, it also feels like a distraction. The whole thing takes place with the irritating sensation that the "real" story arc is waiting back in Terre d'Ange and all of what's going on is just an extended irrelevant tangent. Do we ever legitimately think Imriel is in danger? No, because he still has to deal with Sidonie back home.

All of this, coupled with Carey's dip in prose style, makes the second half far less enjoyable than the first.

To put things in perspective, however, it must be said that Carey's diminished prose is still light years ahead of what most authors can hope for, and the book suffers only by comparison to the beginning chapters, which were so nearly perfect.

The only complaint I actually have about the opening chapters is the constant lionization of Phedre, which started to get a little old after the twentieth time or so Imriel starts waxing poetic along the lines of "Ah, Elua, to look upon the face of one who had spoken the Name of God..." I know, the poor kid worships her, but after a while, the point had really been made, and we didn't need to hear one more time about how Phedre is still beautiful, or that she's apparently the wisest person on the planet, or what-have-you. It's hard to tell whether Carey just goes a little too far smacking us in the face with Imriel's awestruck admiration, or whether she's having a little trouble letting go of Phedre herself, but this is the sole annoying element in the first section.

Overall, though, I have to say that this book is a definite improvement over Kushiel's Avatar, up there with Kushiel's Chosen. It's more interesting as a set-up than a story in its own right, perhaps, but it still has some legitimately beautiful prose. Three stars as far as the Kushiel series goes, but seeing as it IS the Kushiel series, in terms of fantasy literature in general, I give it four.

This is the second book in the trilogy that takes place in the same world as Phedre's trilogy, but this time from Imriel's point of view.

In this book Imriel makes good on his promise to marry Dorelei and try to solidify a peace between their two realms. The story is epic in proportions and a lot happens to Imri in the course of this book.

This book was again well-written and the story was thoughtfully progressed. I was a little disappointed at how little Sidonie was actually in the story. I constantly felt bad for Dorelei and I wearied of Imri's constant "trying".

I did not find this book to be as engaging as the last one and kind of had to force myself to finish the end of it. There is just a lot here again. Either too much took place for one book or some of it didn't need to be there, I don't know which. I actually didn't think the book picked up pace until Imri returned home.

I am not sure if the story is just lacking or maybe if I am just not as engaged with Imri as a lead character as I was with Phedre; but for some reason I have been finding this trilogy of books somewhat tedious and slow to get through.

So in summary, beautiful writing, lovely story, but somehow I am finding it a bit tedious and lengthy to get through. I don't find myself quickly turning pages but instead looking ahead to find where the end of the chapter is so that I can stop reading. It's hard to say anything bad about this series because, in general, I love it so much. I'll read the next book and hope that it is faster paced than this one.
karissabooks.blogspot.com

Imriel's story continues as he finds himself back in his beloved Terre d'Ange, and secretly in love, but set to leave both his home (and heart) again. Duty as the third-in-line to the throne means he must wed to help maintain royal power... Despite the blessed Elua's bidding that one should love where thou wilt, Imriel must marry Dorelei, the niece of the King of Alba, and bear a child who will eventually inherit the Alban crown. Imriel, the son of one of the Kingdom's most notorious traitors has his own vow he tries to follow: to be good. He tries to be dutiful, and fair to poor Dorelei, who knows she is marrying a man in love with another woman. He grows into his Alban lordship, winning the grudging respect of the men of Clunderry. But he is imperiled by an ancient and outlawed group of Albans. They rely too much on the Sight and it is said to have driven them insane. Now they believe Imriel is a threat, and they will do anything to forestall that threat. And Imriel's arduous rites of passage become ever more grim--as harsh Kushiel's Justice must be done.

Imriel's tale has some very slight echoes of that masterpiece, The Lymond Chronicles by Dorothy Dunnett. That's not enough of a reason to love the books, but it does enhance my pleasure. Imriel is not quite as compelling a figure as Phedre, the protagonist of the first series of Kushiel books, but he's still very intriguing, and perhaps more subtle and complex, enough to compel me to follow as he makes his way through myriad pitfalls and hazards--both internal and external.

"Naamah's curse didn't frighten me.
Her blessing was another matter."

Imriel has returned home from Tiberium to again play the games of state as the third in line for the throne of Terre d'Ange. Now he has settled with the idea that he will wed the Cruarch's niece, Dorelei mab Breidaia, though he still plays with matters of love and intrigue prior to his wedding. The first and foremost in his mind is Sidonie de la Courcel, the heir to Terre d'Ange and the one woman who has truly captured his heart. They keep their affair a secret owing to Imriel's dubious traitor parentage and, though he doesn't intend it to be so, Imriel loses his heart to the young heir with a fervor that no one in his close acquaintance can believe.

His wedding in Alba causes some mischief though, and Imriel cannot quite forget the woman he gave his heart to. This pining leaves him open for all sorts of foul deeds as a woman named Morwen of the Maghuin Ghonn binds him with his own desire. Now Imriel must suppress all of his longing in order to not succumb to Morwen's will. But, Imriel is D'Angeline, of course, and the noted precept of everything has always been "Love as though Wilt".

"Where do we go when we vanish deep inside ourselves?"

Carey's Imriel trilogy continues on with "Kushiel's Justice", a magnificent story that encompasses many of the familiar themes that Carey is known for; the pursuit of love no matter how folly, good vs. evil, and what happens when people reach their breaking point. There is also present the familiar notions of political intrigue and mythology that Carey always seems to skillfully weave into her books. This is one of Carey's finest tales, one I will file away as a top favorite. She is quickly becoming one of my favorite authors.

"I have chosen, my lord," I whispered. "Please, no more losses."

When prince of the blood Imriel no Montreve de la Courcel was a child in Terre d'Ange, his parents abandoned him. Pirates abduct him; they sexually abuse the lad in ways that are unmentionable. Life is bleak for the boy until the anguisette Phedre no Delauney and her lover warrior-priest Joscelin adopt Imriel.

Imriel begins to learn to enjoy life, but still suffers nightmares from parental abandonment and the sexual actions of the pirates. However, his mother, demonic Melisande, though confined to a temple or die, has plans for her offspring. She will use him to seize the throne, something she has failed to achieve in the past. When she vanishes those at court assume that her son helped her escape with a plot to take control. Only the letters his mother wrote him that he has not read might offer a clue to where Melisande hides and what she plans to do next. Though he assumes he has no allies except perhaps Phedre and Joscelin and everyone he sees is an enemy, Imriel resolves to protect Queen Ysandre's daughter Sidonie, who he desires.

The first tale in a new trilogy will excite fans as the adventures move to the next generation. The action-packed story line is fast-paced from the moment Melisande escapes as Imriel has to watch his back at all times. He takes over the prime role from Phedre so smoothly long time Kushiel readers will appreciate Jacqueline Carey's conversion while newcomers will not need the previous trilogy to follow Imriel's escapades though they will want to read about Phedre's adventures.

Harriet Klausner

An excellent book. Imriel is older and wiser (though he is still only 20...). People grow up faster in the imaginary middle ages of Terre d'Ange, as they did in the real middle ages. He falls deeply in love with Sidonie, a development hinted at in the prior book, and which works beautifully.

Sidonie is very far from the cold, spoiled girl she had appeared. She is, in fact, a practiced voluptuary, schooled in the arts of the bedchamber, passionate and intense. That she is only sixteen certainly does not detract from the intensity of the couple's passion, though their knowledge of their own youthful inexperience leads them to doubt. It is this doubt that leads to the major conflict of the book: Imriel's decision to wed Dorelai, the niece of the Cruarch of Alba, for political gain.

It's an interesting, if not quite convincing message, that the wisest course for young people is to follow their hearts, not their heads, but in the world that Carey postulates, this is in fact the message of the gods, and so love is trump card of politics, at least in Terre d'Ange.

A series of missed opportunities leads to tragedy for Dorelai and Imriel must take a hazardous journey to seek justice. Phedre and Joscelin play unexpected roles and the book ends with a long but very satisfying coda, setting us up for the climactic book in the series. I'm looking forward to it.

Reviewed by Paige Lovitt for Reader Views (8/06)

"Kushiel's Scion" is the fourth book in the Kushiel Legacy series. It is also the first in a new trilogy that takes place in Terre d'Ange. It was the first book for me to read by this author. I was not disappointed. The story focuses on Imriel, who is a prince of the blood. As a child he had to endure serious abuse and betrayal. As an adult with a special gift, he fears that he does not have goodness within him, and that he will misuse his gift. His fears about this endeared him to me. He obviously was fighting to overcome some serious issues.

Carey writes in a manner in which her words flow in such a descriptive way that the visual images easily appeared to me. As a new reader to her series, I did not feel like I was left out. I do want to read her other novels because I enjoyed this one so much; however, the book does well in standing alone. Carey includes a "Dramatis Personae" list that reads like a cast of characters. This is really helpful to those just stepping into her story. I was able to look back at the list when I needed to and find out about certain characters.

The sensuality in the story, along with the intrigue, completely wrapped me up in the story. I did not want to put it down. Watching Imriel's battle within himself over good and evil was very compelling. I look forward to catching up with Carey's other novels.

I highly recommend "Kushiel's Scion" to readers who enjoy sensual, intriguing, fantasies.

Received book free of charge.

All the promise of Imriel de la Courcel in Jacqueline Carey's last novel of Terre d'Ange has been fulfilled. The greatest triumph, I think, of this first book in Imriel's trilogy is that Carey gives Imriel a voice of his own, a life of his own, and a story of his own. She is not rewriting the books that made her a bestseller: this book is a brilliant and distinctive continuation of the story of Terre d'Ange.

This story begins several years after Kushiel's Avatar ended, and Imriel carries all the courage, determination, and yes, baggage that he had at the end of that book. He's a young man living in the shadow of his infamous mother and his famous foster parents, damaged by Darsanga, and struggling to find his own way in the midst of d'Angeline intrigue. And that is the sum total of the plot of this book. Imriel first overcomes the trauma of abduction and slavery, his fears about the dark side of his own nature, and then seeks to become a man in his own right and in his own way.

Everything in Kushiel's Scion is geared toward setting Imriel on his way, and very likely, I'm guessing, setting up the confrontations in the second and third books of the trilogy. New characters are introduced, and I'm looking forward to seeing more of Eamonn, (or Prince Barbarus), as well as Maslin and the adult Sidonie and Alais, Queen Ysandre's daughters.

Best of all and most promising is, as always, Melisande. As is usually the case, her influence is unseen (yes, that was an intentional pun) but definitely present. Her plans for Imriel remain hidden, but she makes her first try for her son in this book, and I'm sure that she won't be absent in the next two books. Melisande is without question one of the best and most original female villains in all literature, and seeing Imriel contend with her and her minions is an absolute treat.

I think my favorite element of this book was Imriel himself. Carey is impressive in assuming his voice and his view of the world: even the things Imriel chooses to describe, sees, feels, and thinks are different from Phedre's point of view. While Phedre noted the contents of a dinner table down to the candle sticks, Imriel is mostly concerned with the quantity of food he can put away, for example.

Phedre herself is on the periphery of this novel; Joscelin, as Imriel's role model, mentor, and hero, has a greater impact. Which is as it should be, in my opinion, and I loved seeing Joscelin through Imriel's eyes.

And now that Imriel has made his peace with who and what he is in this book, now that he's killed to defend himself and his friends, sacrificed, and assumed his responsibilities, I can't wait to see what challenges Terre d'Ange, his mother, and Carey throw at him next.

Time to start counting down to the next book.

Before I even get started on my review, I have to say that this book is my favorite out of the entire Kushiel's Legacy series, and maybe even my favorite fantasy book period. It's not necessarily the fantasy book that I think deserves the most critical attention, and it's not necessarily the most original, but it is my favorite. The general plot outline follows the same formula that Ms. Carey used in her other D'Angeline books--we start in Terre D'Ange, where there is a "starter plot" that provides us with a chance to watch the political intrigues of the realm. Those intrigues then escalate until our protagonist is forced to leave the country in the course of his performance of his duties. The journey takes us into areas of Ms. Carey's world that had not been explored in earlier books, and then we return to Terre D'Ange for a final-act reconciliation. It's really nothing new, at least at the level of the plot outline.

There are two things that make this a particularly accomplished story for the form, though. The first is that the political intrigue this time is not some aristocratic one-upsmanship. It's not even treachery that threatens the realm. Instead, it is love. Simple, naive, teenage love. The kind that the entire series romanticizes and makes central to the culture and religion of the entire kingdom. Ms. Carey challenges herself to justify once and for all the romantic ideals that initially shaped her world's central conceit, and she does so by turning her own tools on herself--she makes Imriel, the son of her original trilogy's arch villain, who is still widely suspected of having inherited his mother's ambitions--she makes him fall head-over-heels in love with the Dauphine.

By doing this, Ms. Carey elects to give herself the single greatest challenge she has faced as a fantasy writer, which is to test the limits of her world's sociology to destruction. Nor does she disappoint. Imriel, following the book's predictable plot outline and his own emotional throughline, well established in previous books, (the desire to be good) accepts an arranged marriage and reconciles himself to living with a woman that he barely knows. He does his best by her, but there is no escaping the fact that his heart lies elsewhere--a fact which is turned against him when the one of Alba's indigenous groups, the Maghuin Dhonn, use that frustrated love to fuel a spell that binds Imriel to their will.

I won't go further because I'm not the biggest fan of reviews that spoil each and every plot twist, but I will say this: Imriel's desire to be good, to be accepted as such, and to avoid the cycle of blood vengeance and intrigue that his mother's very existence has trapped him in for so long--it's a complicated trap, and it is one that Ms. Carey springs eloquently and with a keen sense of showmanship. Putting aside the clear formula that she uses to hang her world-building and her examination of morality, what unfolds here is surprising, dark, and satisfyingly human. It is well worth the read.

Kushiel's Scion continues the alternate-history fantasy series started in Jacqueline Carey's first novel, Kushiel's Dart, albeit with a new protagonist. The shift in point-of-view from Phedre Delaunay in the original trilogy to Imriel de la Courcel in this story is fascinating, in that it allows Carey to show us how many of the elements of the previous books in Kushiel's Legacy were dictated by the point of view of the character. The same feminist and humanist sensibilities play throughout this book, but in new ways.

Since Imriel is not only male but from a younger generation, but one that grew up in the shadow of the betrayals and wars that dominated the first three books in the series, he is allowed to voice some distaste at the nationalism and ethnocentric chauvenism that is such a prominent part of D'Angeline society. This new level of cultural criticism, along with Imriel's ongoing struggle to overcome the legacy of his traitorous mother, elevates the story from an otherwise fun but not necessarily memorable romp through a series of ghost stories, coming-of-age romances, and large-scale battle scenes. It makes it into a truly character-driven piece, as Imriel has to come to terms with both his family history and the reputation his nationality has earned for being self-obsessed, haughty, and condescending toward neighboring nations.

In the end, it's not the ornamentation that Carey has added to this story that sells it. The more prevalent role of magic, the secret-society intrigues of the Guild, and the always-present travel romp into a new corner of her re-imagined medieval world are nice. Don't get me wrong there. They're just not terribly new or exciting, either. No, in the end, the reason you should read this book is that underneath the blockbuster-style action sequences and the slick plotting, there is a very touching sketch of a young man with an unfortunate family history, and all he wants is to understand what it means to be good.

That spare, simple, and emotionally powerful internal journey does so much more than any fantastically ornamented fantasy ever could--it puts us in touch with our own humanity and it invites us to consider the true motivations and lasting effects of our own choices and to ask the question of ourselves: How can I be good?

From the beginning (of the previous volume, Kushiel's Scion) Imriel was a rather dislikable adolescent lacking Phedre's warmth, compassion, and dazzling heroism. He appeared a moody teenager, reckless and rude. His treacherous mother bequeathed him a violent side and scores of enemies determined to murder him for her crimes. Imriel had to deal with these threats, as well as with the damage done long ago during his capture by a king of great cruelty and evil. Beside Phedre, his heroic and above all loving mother, Imriel seemed childish and aggravating, through crude sex and uncaring violence. Then he grew up.

In book 2, Imriel is far more balanced, accepting of himself and the violence of his birthright. The books all offer incredible description and amazing writing, filed with adventure and wonder: this one is no exception. As always, the historical accuracy is commendable, rich and thrilling.

Imriel is not Phedre, but he slowly grows into responsibility and maturity, turning from an irritating adolescent into an honorable adult. All the beloved characters from previous books return, one way or another. Through everything looms the shadow of Imriel's treacherous mother, Melissande, scheming behind the scenes. A new generation, harboring the grudges and complexities of the previous one has surfaced. The younger princess, Alais, is lively and fun, though she may need to make an uncomfortable political marriage to appease her people. The elder princess, Sidonie, is cold and calculating, yet offers Imriel a perplexing bond. He begins a tumultuous affair with his future queen, the woman to whom he's pledged all his loyalty. But how can he reconcile passion, devotion, and honor, with an arranged marriage awaiting him in Alba?

Imriel starts as a gawky adolescent, intruding into the world Phedre has delighted readers in for three books. However, Imriel has his own unexpected journey to make, with action as thrilling and compelling as any of Phedre's journeys. How he follows his journey from childhood to maturity will, in the end, enthrall its readers.

Kushiel's Scion continues the alternate-history fantasy series started in Jacqueline Carey's first novel, Kushiel's Dart, albeit with a new protagonist. The shift in point-of-view from Phedre Delaunay in the original trilogy to Imriel de la Courcel in this story is fascinating, in that it allows Carey to show us how many of the elements of the previous books in Kushiel's Legacy were dictated by the point of view of the character. The same feminist and humanist sensibilities play throughout this book, but in new ways.

Since Imriel is not only male but from a younger generation, but one that grew up in the shadow of the betrayals and wars that dominated the first three books in the series, he is allowed to voice some distaste at the nationalism and ethnocentric chauvenism that is such a prominent part of D'Angeline society. This new level of cultural criticism, along with Imriel's ongoing struggle to overcome the legacy of his traitorous mother, elevates the story from an otherwise fun but not necessarily memorable romp through a series of ghost stories, coming-of-age romances, and large-scale battle scenes. It makes it into a truly character-driven piece, as Imriel has to come to terms with both his family history and the reputation his nationality has earned for being self-obsessed, haughty, and condescending toward neighboring nations.

In the end, it's not the ornamentation that Carey has added to this story that sells it. The more prevalent role of magic, the secret-society intrigues of the Guild, and the always-present travel romp into a new corner of her re-imagined medieval world are nice. Don't get me wrong there. They're just not terribly new or exciting, either. No, in the end, the reason you should read this book is that underneath the blockbuster-style action sequences and the slick plotting, there is a very touching sketch of a young man with an unfortunate family history, and all he wants is to understand what it means to be good.

That spare, simple, and emotionally powerful internal journey does so much more than any fantastically ornamented fantasy ever could--it puts us in touch with our own humanity and it invites us to consider the true motivations and lasting effects of our own choices and to ask the question of ourselves: How can I be good?

From the beginning (of the previous volume, Kushiel's Scion) Imriel was a rather dislikable adolescent lacking Phedre's warmth, compassion, and dazzling heroism. He appeared a moody teenager, reckless and rude. His treacherous mother bequeathed him a violent side and scores of enemies determined to murder him for her crimes. Imriel had to deal with these threats, as well as with the damage done long ago during his capture by a king of great cruelty and evil. Beside Phedre, his heroic and above all loving mother, Imriel seemed childish and aggravating, through crude sex and uncaring violence. Then he grew up.

In book 2, Imriel is far more balanced, accepting of himself and the violence of his birthright. The books all offer incredible description and amazing writing, filed with adventure and wonder: this one is no exception. As always, the historical accuracy is commendable, rich and thrilling.

Imriel is not Phedre, but he slowly grows into responsibility and maturity, turning from an irritating adolescent into an honorable adult. All the beloved characters from previous books return, one way or another. Through everything looms the shadow of Imriel's treacherous mother, Melissande, scheming behind the scenes. A new generation, harboring the grudges and complexities of the previous one has surfaced. The younger princess, Alais, is lively and fun, though she may need to make an uncomfortable political marriage to appease her people. The elder princess, Sidonie, is cold and calculating, yet offers Imriel a perplexing bond. He begins a tumultuous affair with his future queen, the woman to whom he's pledged all his loyalty. But how can he reconcile passion, devotion, and honor, with an arranged marriage awaiting him in Alba?

Imriel starts as a gawky adolescent, intruding into the world Phedre has delighted readers in for three books. However, Imriel has his own unexpected journey to make, with action as thrilling and compelling as any of Phedre's journeys. How he follows his journey from childhood to maturity will, in the end, enthrall its readers.

"Kushiel's Scion" is the fourth book in Jacqueline Carey's thrilling fantasy series of life in the exotic realm of Terre d'Ange, a world somewhat similar to our Earth, during a period reminiscent of the Renaissance. The preceding "Kushiel's Legacy" trilogy, composed of "Kushiel's Dart," "Kushiel's Chosen," and "Kushiel's Avatar" are all extraordinary novels, and although it is not necessary to have read them in order to enjoy this one, they do provide a fantastic reading experience and a wonderful introduction to Jacqueline Carey's latest protagonist, Imriel no Montreve de la Courcel. "Scion" is also the first novel in a new trilogy which will chronicle the life of de la Courcel, the foster son of Phèdre nó Delaunay, the Comtesse de Montreve, peer of Terre d'Ange, and her consort, the Cassiline apostate, Joscelin Verreuil.

Imriel, a royal prince of the blood, was abandoned in infancy by both of his treasonous parents. Captured in childhood by pirates, the boy spent his youth in slavery, subjected to abominable & depraved torture until he was rescued by Phèdre and Joscelin, who love him as a son. Now, a handsome and accomplished teen, Imriel is experiencing the normal restlessness and insecurities of adolescence, but is additionally burdened by his past experiences. He finds it difficult to live down his mother's, Melisande Shahrizai's, reputation as an arch villainess who would sell her soul and her son, seemingly, for a kingdom and power. When he unwillingly become involved in court intrigue, Imriel decides to study abroad and takes on an anonymous identity to do so.

Much more than a coming of age tale, Ms Carey dramatically and skillfully changes her point of view from the mindset of a mature woman to that of an adolescent boy with an unusual amount of baggage. Unlike most young men of his age, Imriel must struggle with an infamous heritage and nightmarish memories. While this boy-man is not anywhere near as complex a character as the mature woman, Phèdre nó Delaunay, Imriel is no slouch either. He has yet to acquire Phèdre's life experience, and that is what this novel is about - acquiring experience, adventuring and building character. There are enough complexities in this tale to satisfy the most demanding and discerning reader.

The plot and subplots are unique and stunning. The excitement just doesn't stop. Ms. Carey combines swashbuckling adventure, romance, eroticism, political intrigue and world building. Her imaginative use of historic detail, diverse cultures, the creation of many varied characters and their development, make this series so special. A riveting novel - I couldn't put it down. Highly recommended

JANA

I have enjoyed all of the books.
Carey's Angeline wolrd is fully realized, her history, her religion, her culture and daily life so very real, and so many layered that it truly shines through. No cardboard simplifications here.
I found Phedre so fully herself, her conflicts and problems so very much a logical extension of who she is and what she is, that she is a very hard act to follow.
Imriel is doing a good job of it, overall, and his maturing and his adventures are very well told. I will continue this journey.
Few books this long grip from beginning to end, this one does. And it satisfies completely, while still being clearly a stepping stone to the next one. Still, I have a feeling of completion, and I am not left hanging there.
My one and only glitch: I did not like it that everybody says to Imriel that he attracts trouble and problems. This felt contrived, as if it needed to be explained why someone with his complicated heritage and history was at the cusp of many great events: the explanation is obvious, it is not necessary. This is small, and does not detract from a 5 star rating.

This is a continuation of Jacqueline Carey's popular Kushiel's Legacy series, focusing on Phedre and Joscelin's adopted son Imriel. As several plot strands are left untied, it appears to be the beginning of a new trilogy. I said in reviewing the earlier series that it was perhaps the best fantasy series I've ever read. This book isn't as good as the earlier ones; still it is good enough to merit a recommendation.

Readers should be warned that the plot is much slower than Carey fans are used to. Only in the last 1/3 or so of the story is Imriel in any real danger. Mostly this book is a sustained character study of a damaged adolescent. And in that sense, it isn't fully successful. Imriel is much less messed up than you than you would expect of a child who survived the horrific events of "Kushiel's Avatar". Still, he comes off as rather whiny and depressed, and after a while these elements get overly repetitious in his first-person narrative, in particular Imriel's constant self-loathing.

The first half of the story is Imriel's experiences in Phedre's holding of Montreve and the Terre d'Ange court, where Imriel is caught between his heritage through his adoptive parents and that of the large and powerful Shahrizai family that spawned his traitorous mother Melisande. The second half, containing almost all the adventure in the tale, tells of his journey to college in Tiberium (Rome). While there, Imriel encounters the shadowy organization that originally trained Phedre's mentor Anafiel Delauney in spycraft, as well as getting caught up in a battle for control of a friend's home city.

As in any Kushiel novel, there is a good deal of sex. I disagree with the reviewer who complained it had been toned down excessively. In fact, I thought the sex was more explicitly described than in earlier Carey stories, although there was less of it. Still, the novel is inappropriate for kids, who would in either case be turned off by the bulk and relatively slow action.

When I read the first Kushiel trilogy I was overwhelmed and I fell in love with the main characters, especially Phedre. Every book in that trilogy mantained the same energy level and I admit I was doubtful of whether the author could pull it off in a new trilogy,with a male as her main character.

I was pleasantly surprised by the result. While I don't think any book she ever writes will match that first one for me...this one nevertheless comes close. It is, without a doubt, an incredible work of fiction.

The world she has created touches on ours in familiar and interesting ways, and we see more of those similarities to our world in this book, yet it is clearly a unique and fully-developed stand-alone world as well. The countries and cultures she has developed are amazeing, and her characters are nothing short of incredible.

While I miss the submission theme from the first trilogy I am really looking forward to seeing more of this character, Imriel.

I have been a Kushiel fan from the beginning. I bought Kushiel's Dart knowing nothing about the book and was hooked by the first sentence... then I began stalking local booksellers until Kushiel's Chosen came out... tearing through that one with a hunger that I had previously not experienced... then repeating the process. All of my copies are dog-eared from excessive reading. Then rumors of the second trilogy started to surface, and while I was ecstatic wondering "Thank god! What happens next?" I was somewhat weary of how the continuing story would tie in to the original. I should never have worried.
The second trilogy begins with Kushiel's Scion, the continuing tale of the realm of Terre D'Ange, focusing mostly on the household of Phedre no'Delauney deMontreve'. However, this book begins the trilogy told by Imriel de la Courcel, prince of the blood and Phedre's foster son. This book sets the stage for Kushiel's Justice. Every Kushiel book seems more steeped in intrigue than the last, and "Justice" is no exception. In this novel, the darker side of our hero is explored that even he himself is afraid of. And a passionate affair that you expect to be, well, somewhat vanilla based on the character involved, gives way to a sharper edge than expected... which left me very pleasantly surprised and a little out of breath. :) It is a story of true love, the darkness of the human spirit, magic, self-discovery, courage, and home. I would highly recommend it, but it is not meant to stand alone. The original series is, to me, detrimental to understanding the layers of Imriel. I can not wait for Kushiel's Mercy. But until then, if you're already a Kushiel fan, but hesitant to read the second trilogy, all I can say is.. Buy it, read it, love it.

The first trilogy was brilliant, this first book in the new trilogy is just as good.

This is a brillantly written novel, as are all of Carey's work.
You get the same things you get in the first trilogy, great action, eroticism not just in deed but in thought and enough politics and intrigue to fill Five volumes of a lesser author's work.

There is only one diffrence in this book, and that being the main protagonist is male and not female. I know that Phedre is probably the best female protagonist in the fantsy fiction world, but don't let this put you off, Imriel de la Courcel is just as good.
Read this novel you will not regret it

P.S, After this trilogy has been concluded Carey is said to be writing another trilogy set in the same world just a couple of hundred years in the future.The main protagonist will be FEMALE.

"Kushiel's Justice" is a sprawling adventure that begins where "Kushiel's Scion" left off. Not only does it surpass "Scion", but it is right up there on par with the earlier "Kushiel" novels.

Imriel has arrived home from his adventures in Tiberium and Lucca, and has finally read his mother's letters. The content of those letters only increases his tumultuous emotions, as Imriel continues to try to do the right thing, and to be good, in the hopes of making up for his mother's treachery. With his decision to wed the Cruarch's niece and secure Terre d'Ange's place in Alba's line of succession, he seems set on this path.

But neither he nor Sidonie reckoned on their explosive connection, as the two begin an illicit affair that, if discovered, could split the realm asunder. But they are young and unsure, and both hope fervently that their feelings will fade. And so Imriel goes forth to marry his Alban bride, Dorelei mab Breidaia, and forge a life as an Alban prince. There, he is caught in a web of Alban magic, as the country's oldest inhabitants struggle to discern the shifting future.

After a startling twist halfway through the book, Imriel's life is shattered and he embarks upon a mission of vengeance that takes him into unknown lands. That journey tests him and changes him in ways he could never have expected.

Words cannot adequately describe the beauty and mastery of "Kushiel's Justice". The story unravels and weaves and unravels again in breathtaking succession, leaving readers on the edge of their seats, wondering what will happen next. The power of Carey's descriptive prose is on display here, as she sets up new lands and new characters and guides us expertly through their histories and motivations. I loved the many intricacies in the plot, the way certain things tied together, and the way so many unexpected obstacles prove that such journeys are never easy. Imriel learns this, too, as even the man against whom he has sworn vengeance shows him that even an idea as righteous as justice or an emotion as clear as hatred is not always so simple.

During the course this book, we see Imriel at his best and at his worst. We see the nature of the Shahrizai and Courcel blood in him, as well as the influences of Phedre and Joscelin. We see him lose himself and find himself repeatedly, and we see the forging of a powerful young man who has finally come to terms with himself. Other main characters include:

Sidonie, in whom readers finally glimpse the subtle cracks in her cold exterior, the insecurities she has struggled with. There is not as much focus on Sidonie's individual character as there is on her interaction with Imriel, but we still see the strength and intelligence and compassion in the young woman.

Dorelei, who serves to ground Imriel and put things into perspective for him. I really enjoyed the portrayal of her character, and found it to be realistic and refreshing.

Alais, who finally comes into her own in Alba. Like Imriel, she begins learning more about herself and her heritage in "Justice", and an interesting groundwork is laid for her in the next novel.

Urist, the commander of the forces who serve Imriel as Lord of Clunderry in Alba. He's an experienced man who doesn't miss much, and his support of Imriel provides a nice balance during their travels.

Many other characters also make appearances throughout the novel, including: Ysandre and Drustan, and his heir, Talorcan; Eammon and Brigitta, and the Lady Grainne; Hyacinthe and Sibeal and their children; Maslin de Lombelon, with whom there's a surprising and satisfactory twist; and of course Phedre and Joscelin, who, despite their comparatively small roles, prove to readers that at heart, they are who they've always been.

I simply do not have enough good things to say about "Kushiel Justice". My only criticism pertains to certain repetitive phrases in the writing, which at times did become a little annoying, but in most places were easily overlooked. If the upcoming "Kushiel's Mercy" is anywhere near as good as this book, Carey will have ended her second "Kushiel" trilogy by setting a standard that few authors today can meet.

Kushiel's Scion takes the Kushiel's Legacy series in a new direction with Imriel as the new narrator. Carey uses beautiful rich language to impart the young Prince's insights to the reader.

This is very much a coming-of-age story centering on Imriel. While many of the characters from previous books remain, they are not the focus of the story. Phedra and Joscelin are his adoptive parents and Imri adores them, but finds it difficult to live up to their reputation.

Still scarred by his abduction and subsequent abuse, he finds relationships difficult to understand - and what teenager doesn't? He is also overshadowed by his mother's treachery. Because of her history, his loyalties are questioned at every turn. He tries hard to be good and deserving of Phedra's love and Joscelin's approval, but counts himself short more often than not. Note for fans of the first books, the sex in this book is toned down considerably from the previous books, in keeping with the discoveries of a boy coming into his manhood.

The second half of Scion has Imriel going away to the University of Tiberium, where he ends up stumbling into a large and powerful Guild of spies. He finds himself embroiled in schemes and plots, most of which he wants nothing to do with. In addition to spies and power brokers, Imri makes friends with students from other countries, forming ties that may come into play in the future. The one thing that seemed out of place was the ending battle. It didn't seem to have much to do with Imriel; it was more a case of circumstance than design.

While slow at times, Carey's skill with prose makes certain the book doesn't become boring. Like any epic book, this one could probably have been cut down, but doing so would have been a loss of information and insight into the character. If you loved Carey's other books, you will enjoy Kushiel's Scion as well.

Reviewed by Vicky Burkholder

6/29/2006

I have to admit, I am disappointed. The first trilogy (Kushiel's Dart, Kushiel's Chosen, and Kushiel's Avatar) was incredible. This was not. While Imriel is an engaging character with his own flaws, weaknesses, strengths, and desires, I just don't think he can compare with Phedre. Furthermore, in this book at least, all that really happens is the set-up, a lot of whining, and some limited self-discovery. In Kushiel's Dart we had all that plus an over-arching plot, a deadly struggle, and many battles (both physical and political). Here, Imri goes to college. Hardly the same scale, is it?

Jacqueline Carey is an incredible writer and her writing style here is, as always, beautiful, eloquent, and evocative. Yet, the plot falls through. The reader finds him or herself caring more about Phedre and Joscelin (who are little more than cameos, here), Alais (whose importance declines very quickly, and just about everyone else more than Imriel.

So, on the whole, for those who really loved the first three books, this one is worth a read. However, don't get your hopes up.

I'll admit I was a little skeptical at first when I found out that Carey had released a new book in her Kushiel series, and that it was centered around Imriel. But the book was true to its predecessors in depth, characterization, and intrigue.

Phedre and Joscelin are no longer the mainstays of the novel, but they play enough of a role that we are reminded why we loved them so much to begin with. Their interactions with Imriel are tender and protective, and it's a joy to read their scenes together. Imriel himself turns out to be a very interesting character, one worth rooting for, and by the end of the novel, one who you're anxiously awaiting to read more about. Torn between his desire to live up to Phedre and Joscelin's legacy and his fear of the traitorous heritage left to him by his birth parents, he comes off as a very believable young adult. Carey did an excellent, subtle job of laying out the twists and pitfalls of his character, steeped in the abuse he suffered in Darsanga and blending that with his acknowledgment of Kushiel's blood. His growth throughout the novel is well paced, and the relationships he forges with others in the book are varied and enjoyable.

Like the previous books, the supporting cast of characters in Kushiel's Scion are also worth mentioning. Ysandre and Drustan are back, and Sidonie and Alais are re-introduced. It's interesting reading Imriel's perspective on the royal family, as well as their interaction with him. Grainne's son, Eammon, also plays a large role in Imriel's life, and I think his character and their friendship adds a nice balance. As Imriel goes off to Tiberium, a new set of characters are introduced, some of whom I think are simply used as plot devices, and others whom I hope we'll see again.

Plot-wise, the novel centered mostly on Imriel's growth, and his coming to terms with himself. There wasn't an epic, grand plan in Kushiel's Scion like we saw in the prior novels, but rather a series of mini-events. Some areas seemed to drag, but for the most part, there was enough development and suspense to keep you hooked. There were also some events that occurred that seemed to be setting the stage for something larger to happen in the later books, so it will be interesting to see how those pan out.

Why I didn't give it a full five stars: mostly plot-related reasons. As I said, some sections of the novel dragged on and seemed unnecessary to the overall story. The concluding "mini-arc" also fell a little flat; it could have been much more compact. While the trysts in this novel have been toned down from the prior ones, there were, again, scenes that I felt detracted from the story and didn't serve any purpose.

All in all, though, this was an excellent novel. Carey maintains the regal world of Terre D'Ange and continues to bring to vivid life the many inhabitants of her world. I look forward to Kushiel's Justice!

Return to Terre d'Ange with Kushiel's Scion, sequel to the Kushiel's Legacy trilogy. This book follows Phedre's adopted son, Imriel, son of the treacherous Melisande and third in line for the D'Angeline throne. Carey does an excellent job of developing Imriel into a complicated, troubled young man without in any way betraying the character he was in Kushiel's Avatar: haunted but with the proverbial heart of gold.

Imriel is coming of age here, and coming to terms with desires he finds hard to face. Between his molestation at the hands of the Markhagir of Drujan, his anger with Melisande, and the dominant tendencies inherent in his bloodline, Imriel finds sexuality a minefield of issues. He wants more than anything to be a good person, but fears he's fated to be something else.

His quest to find maturity and inner peace will lead him to the Night Court (fans of the Night Court rejoice--we see more of it here than we have since Dart), into court intrigues, and to an Italy still clinging to the ghosts of its glorious past. Imriel finds himself surrounded by schemes, plots, and conflicted desires, and truly comes of age in this hotbed of troubles. I really love what Carey does with his character, and can't wait to see what comes next for him, as it's clear there will be further Imriel books.

The one thing I didn't like at first was that the climactic battle didn't seem to have much to do with Imriel; it was more that he was in the wrong place at the wrong time. But on further thought, I realized that Phedre, too, was sucked into things she never meant to be involved with, in Dart and Chosen. I'm just so accustomed to the Phedre of Avatar, plunging herself headlong into adventure because she knows she has to--but this is a mature, 30ish Phedre. Like the younger Phedre, Imriel ends up in situations he never intended to be involved with, but becomes a stronger character through these tribulations. In the end, I think the plot works, and really shows how far Imriel has come since the beginning of the book.

This book was actually very good.

It had a strong story and you could have skipped the first book and still have understood what was going on. However, one consistently irritating flaw was the fact that they put the main characters from the first trilogy in the backdrop, only to have them go on their own adventure, which is never fully explained. The whole time I was reading I was wondering to myself, "what would those characters be doing right now," or when they finally re-emerged in the story, "what would her (first trilogy was based on Phedre's life) perspective be?" Some of the time I was more interested to know what they were doing than what Imriel was doing. It bothered me alot. If you're going to put characters that people love from the previous books and use them as secondary characters, don't dangle their story in front of us and not give it any closure.

Other than that, this story far surpassed Kushiel's Scion, even though there wasn't much more action.

The writing was decent, and the story was just okay.

Carey writing the voice of a male was passable, but not really believable. Given the boy's background, he acted rather strange and girlish with some of his male friends. One thing that annoyed me was her constant repetition. She would say something in a paragraph, and repeat it in a sentence below the paragraph. I found it unnecessary, and felt that it detracted a little from the quality. Although I'd read this book before, I didn't remember much of the story. After having finished it again, I felt as though I could just as easily have not read it without feeling like I was missing out on a great story. Certainly not thrilling, but I wouldn't say it was boring either. Mostly, he just complains and struggles with his inner thoughts and feelings. I also don't feel like you need to read this in order to read the next book.

An okay coming of age story about learning to balance freedom with responsibility.

I invested 2 hours in the book and stopped. The pacing was slow, and drowning in back story. I hadn't read the Kushiel's legacy trilogy. I was hoping I could jump into Imriel's story without reading the prior trilogy, but I after 2 hours I didn't care about any character in the book. The language was repetitive and I kept finding excuses to put the book down.

Imriel de la Courcel loves one woman, yet he marries another as part of his duties as a Prince of the Blood. He must help secure a favorable succession for both Alba and Terre d'Ange. Imriel's children will one day rule Alba, securing the mixed bloodlines on the thrones of both nations.

Blessed Eula, however, had one precept for his people: Love as thou wilt. Imriel's arranged marriage satisfies the political needs of two nations, but it violates Eula's precept and gains the notice of the gods.

Even Kushiel's Scion is not safe when dark powers take notice of his trespass.

Darker than the first book in this second series set in the world of Terre d'Ange and Alba, Kushiel's Justice lets Imriel more fully explore the man who he has become. He faces real challenges, real loss, and in the end, gains a real sense of what he needs to do.

Imriel's quest to avenge and find love takes the reader on a complex journey of emotional growth, physical strength, and political maneuvering. Along the way, he finds out where he really stands and who his true allies are.

A sensuous, exciting book, Kushiel's Justice offers readers enticement to turn every page and draws them along in a whirlwind ride to its satisfying conclusion.

Armchair Interviews says: Fans of Carey's books will not be disappointed and new readers will find many reasons to go back and pick up all her other books.

I enjoyed this book, as all of Jacqueline Carey's books have been enjoyed by me. The depth of character involvement, the feelings you can't help but feel for the characters, well, that is what makes a writer and not a hack. Jacqueline Carey is not a hack writer!

This book went deeper into characters feelings, which I also liked. Instead of trying to be just "racy" which just about anyone can do, she took the tough route and had her characters grow. Even justice, when finally achieved, came with a price to the giver. That is true in life and always has been. A GREAT book. I will read the entire series again and again through the rest of my life. And look forward to seeing what else she writes.

Jacqueline Carey's Kushiel's Legacy is a series I adore. I was thrilled to find out she was continuing on with this series. Everything is very well written, but it is not as intense as the first three. It is still very much worth reading and I fully intend on purchasing her next one. The characters are well-developed but it's sad to see less of Joscelin and Phedre though it's interesting to hear a new point of view. I think it takes a little time to accept that this story is from a new p.o.v. The sensuality and grandeur and beautiful writing is still here. What doesn't make it great for me is because of my own expectations--this book was by far more introspective and a bildungsroman rather than an adventure compared to her first three. Still, this is a wonderful story.

Beautiful, lovely, tender... savage, brutal, bleak. Kushiel's Justice walks the line and finds the right balance. Fans of Jacqueline Carey's other works in the Kushiel's series will feel satisfied with how Carey continues to develop the character of Imriel de la Courcel. This is one hero whose journey is at times moving, at times painful to witness, always very real and engrossing. Carey doesn't shy away from anything. Her world-building is extraordinary, her writing is tight and even the smallest detail may come to play a role later in the story. She's a terrific author and this is a terrific story.

Having read the Kushiel's Legacy trilogy, I was eagerly anticipating this trilogy when it came out. Having not read what appears to be a travesty, the "Sundering" series, I was hopping up and down to read this book. It touched a deep part of me, there is something in almost every character in this trilogy that you can resonate with. In Imriel we see the average (somewhat) young boy trying to grow up, the young man learning himself and what it means to be a man, a college student on a missiion to learn the history that helped to shape him, and as a soldier learning the arts of war.

The characters in this book are just as vibrant and lifelike as in the Kushiel's Legacy trilogy. I was amazed at how much Carey drags you into the realm of Terre d'Ange. Though not as dark as the previous books tended to be, it was still extremely intriguing, descriptively beautiful, and just a joy to read.

I don't want to give away the best plot points and twists, but I must say that when Imriel was in Tiberium, I kept re-reading those chapters over and over again just to relive the experience with Master Pierro.

I was anxious to read the new Kushiel book, but a bit worried because it would be from a totally new view point, that of Imriel, Phèdre's adopted son, the child of Melisande. My concern was needless, as I was swept away into the world made familiar in the previous Kushiel trilogy, and it was just as rich and sensual and redolent of everything that made the previous books so enthralling. Imriel slowly comes of age, and the shadows of his past captivity as a child follow him through life, making him fearful of his budding desires. Imriel wants to be good, something he must reconcile with the feelings and yearnings he has as Kushiel's Scion. He is very mindful of his mother Melisande's treachery, and the powers that be are mindful of his heritage. The Queen would make Imriel, third in line for the throne, a true Prince of the Blood, and court intrigue swirls around him no matter how much he'd wish otherwise. His relationships with his royal cousins, his friendships and adversaries are strong, rich stories that pulled me in and made me one with the Kushiel universe once again.

Fans of Phèdre rejoice, as she is a strong presence in the book, if not the lead character. There are many familiar characters in the book, and several wonderful new faces. We also get a look at more of the world beyond Terre d'Ange and the equivalent of our Rome, Tiberium, as Imriel seeks out answers to questions of the past. Phèdre has taught him the art of Covertcy, as her mentor Anafiel Delaunay had done for herself, but who and where had passed these teachings to Anafiel Delaunay? This and other questions Imriel will seek answers for, and find even more questions along the way.

The reading was gorgeous. Throughout I felt a deep welling ache that was both sadness and joy. This is a worthy successor to the original Kushiel series.

Unlike other epic fantasy series out nowadays, Kushiel's Scion doesn't disappoint! Jacqueline Carey writes so beautifully that reading her prose is a true joy. Her imagery and phrasing is beyond compare and it often feels to be as if I'm reading poetry disguised as a novel. It just flows perfectly.

Kushiel's Scion takes up a few years after her previous trilogy, and follows the story of Imriel, the young boy that becomes more than just a plot device in the third book of the series. This is a rich wonderful world and Ms. Carey has gleefully cherry picked some of the best of European history to play with. Imriel deals with his own demons, and this story is much more of a character piece than the novels of Phedre and Joscelin, though one cannot ever discount her characters.

This young man has a major amount of issues to work through, and I feel that she handles them with a delicate touch. Some reviewers disliked the toned down nature of the sensuality, but to me this is a necessary part of Imriel. Someone that was denied and damaged so much that he needs to learn to appreciate all matters of sensuality, not just in the physical. He has shut parts of himself off just to keep himself alive and this book slowly peels the layers of that protection from him.

His journeys from his home in Terre d'Ange to travels in Tiberium, the scale is somewhat less grand, but is more internal, referencing back to the character piece this is. There is action, there is combat, and this time not shown by the dual natured Phedre and Joscelin, but by one single character at war with himself rather than a relationship that struggles constantly but keeps love at its core. Both have value, but neither is less than the other.

I truly look forward to reading more of Imriel and his journeys, not only of distance and adventure, but of learning and maturity, of love and death, and sacrifice and passion.

This first in a trilogy of novels follows Prince Imriel de la Courcel, Ysandre's nephew by the exiled criminal Melisande de Shahirizai. It is narrated by Imriel himself rather than Phedre, in a turn that takes a reader of the saga a bit to get used to. Carey pulls it off, however, and manages to portray Imriel's inner struggle with his identity and his wish to somehow be a hero like his foster parents very clearly.
The book moves a bit slower than earlier works, but in the end Imriel jumps head first into the action and discovers a little more of who he is and who he can be.

I agree 100% with the first posted reviewer. I'm not a great lover of the fantasy genre in general, but Ms. Carey's books have a way of ensnaring me time after time. She manages to create thrilling adventure and build deep characters at the same time. I was a loyal fan of Phedre and Joscelin but had a hard time liking Imriel when he arrived on the scene. Not that I didn't care about the character, but I found him a little annoying in the last book, Kushiel's Scion.

This book, however, had me watching and caring about the development of Imriel from a self-involved, self-hating, adolescent into a caring and honorable young man. It was a compelling process that lasted the entire length of the novel.

The beauty of Ms. Carey's novels is that the characters are flawed in ways that make the reader both relate and regret. Even though they exist in a fantasy world, they're grounded in motives and feelings that are universal of humanity.

This was a thrilling read, because not once did I pull my head out of it thinking "this is just too crazy!" For me, Ms. Carey saved the Imriel character and the series. Now I really want to read what happens next to him, and I'm going to care about it.

Following Kushiel's Scion, this book is a return to what made Jacqueline Carey's work so intriguing. It's actually possible to have skipped the events of Kushiel's Scion to read this book if you understand the precedent that was set up by the original trilogy, particularly the lines of the D'Angeline and Alban thrones.

On the one hand, it's a refreshing change to have Imriel as the protagonist. While "Scion" was meant to reorient the reader into his personality and life, it was, alas, boring. He does not have the same magnetism as Phedre and I sensed a slight difficulty to write as the opposite gender. Imriel has been established as not being "Phedre Jr.", but it is only in "Justice" that he makes his mark on what kind of man he actually becomes. This book also sets him out on a quest which sends him into completely new territory and follows up a small loose end from Phedre's journeys. While interesting to see new parts of this fantasy world interpreted in Ms. Carey's unique way, they are outshadowed by the reason for the journey itself, in a far different way than has ever been presented by Ms. Carey, at least in the first person.

Readers who expect to see a lot of Phedre and Joscelin in this book will be sorely disappointed. While present, they are secondary players and their involvement is clearly only to support -- but this is exactly what a reader should expect given the focus on Imriel and the way in which they have raised him so far. What readers will see is more insight into the dealings of the D'Angeline and Alban courts. While Phedre had a privileged view of the court given her social standing, Imriel has had court intrigue thrust upon him.

And here is where the key difference in this book of the series lies. For the first time, we see Imriel involved in a relationship which involves true emotion rather than lust. Oh yes, there is lust, but I have always found that Ms. Carey's writing is far more involving when there is love at stake. This was made even more clear by the dearth of any such emotion in "Scion". The real kicker to this particular twist is that it also involves the D'Angeline beliefs about the nature of love that eventually sets up the major events in this book.

Readers who do not want spoilers but at least want to be prepared for what's in store should remember the precept of Blessed Elua: Love as thou wilt. And it is the return to this simple statement, which lies at the core of this fantasy world that has me giving this novel 5 stars. It isn't flawless but it made me remember what makes Ms. Carey's work so memorable.

The main arc of the story is credible, even gripping. The book suffers a bit, though, in comparison to the earlier trilogy, as Imriel, while a well realized character, is nowhere near as fascinating as Phedre. He has his demons to contend with, his issues to confront, but he's a pretty standard hero, in the end. Phedre was a complete original. The first 500 or so pages worked beautifully, as did the last 50. I found myself skipping large portions of the siege of Lucca, however. It was quite obvious that Imriel would encounter adversity, would grow, and would come out of it wiser, stronger and more mature. This whole episdode, therefore, was predictable and just a bit boring. I did find it amusing how Imriel keeps comparing himself unfavorably to Joscelin, but whenever he actually gets in a fight, he completely destroys his opponent. No doubt we're being set up for more significant encounters in the future, and I'm looking forward to them.

but a good novel nonetheless. This book holds a different tone from the others in the Kusheline series. More character-based than adventure-driven, like the other novels, this novel follows Imriel, Phedre's foster-son. It is largely based on dialogue and Imri's thoughts rather than earth-shattering plot developments, so this book is a bit slower to develop, though still interesting. It keeps Carey's fluid writing style, though the narrative is dramatatically changed from Phedre's graceful melodrama.

Imriel, instead, is a moody teenaged boy. Perhaps more solemn (or haunted) than most, but still full of angst and uncertainty, not ready to fit into the world that is waiting for him.

The first section of the book is interesting, as the reader gets to see Terre d'Ange from new eyes; it takes a different perspective when not from a Servant of Naamah. Disappointingly, there is not yet too much of that to see; Imriel is often to preocuppied with his own discoveries and youth to take much interest in politics. That is quickly cut short as Imriel decides to travel to the University of Tiberium. There, again, it is not filled with the taste of the culture that Phedre would have shown, but Imri's personal antics, challenges, and schemes as he enjoys true freedom for the first time.

Don't worry, though, it's not all deeply introspective & dialogue. Carey keeps her penchant for the philosophical, the scheming, and the bizarrely supernatural, as Imriel is rapidly thrown into situations that would turn his foster-parents' hair grey, from riots and conspiracies to spirits and battles.

Personally speaking, I preferred Imriel's character before this particular book, but I believe that it was because here, he is mostly an angsty teenager, not quite grown up. After coming from a personality as dynamic as Phedre's, which takes a lot to compete, sometimes Imriel's more typical nature makes for slow reading. It promises to pick up with future books, however, as he is greatly matured by the end of the book, and it promises to take note of things perhaps he did not have time for before.

Not her best book, a little slow in places, but a good solid start to a trilogy that should prove very interesting indeed.

What most people fail to notice is that Kushiel's Scion and Kushiel's Justice are part of a series separate from the first three books (Kushiel's Legacy). Kushiel's Scion, Kushiel's Justice, and the upcoming Kushiel's Mercy are part of the Imriel Triology.

I enjoyed Kushiel's Justice even more than Kushiel's Scion. Carey gives Imriel a depth of character that surpasses even her development of Phedre in the first trilogy. Imri's journey from passionate adolescence to a mature adult - with all the realizations that come of witnessing the consequences of your own actions, short- and long-term.

My only complaint about the book is actually about the book itself, not the story - no more than a day or two after I purchased the book from Borders, the actual shape of the book began to warp.

After reading a review that claimed that one could skip reading Kushiel's Scion and go on to read Kushiel's Justice and not have missed anything of consequence made me quite upset and angry. Now that I have read Kushiel's Scion I know that the person that wrote that review was mistaken. Kushiel's Scion sends the perfect ideas about light and dark and the cycles of life that with the bad comes the good and vice versa. The struggles that Imriel faces are well substantiated in the emotional intricacies of his life as Phedre's were in the previous three novels. The wording is exquisite and I am not sorry for reading this addition to the series. Every addition to this series is worth reading for their is much insight and knowledge to be gained from the emotional turmoil of life.

When I sat down to read Kushiels Scion I promised myself I would only read 5 chapters a night and savor it. At 3 o'clock the next afternoon I was looking down at the end page with a feeling somewhere between replete and remorseful. Jaqueline Carey has elequently continued with the next generation of Deuleney's spies, and we see intricatley played out and repeated the court intrigues that gave birth to Deluaney and Phedre. The love that Phedre and Josciline had fought for, for so long is now brimming over and exemplified in their adopted son Imriel. I am proud of Jaqueline Carey for her tender insights into the mind of an abused teenage boy and the musings of a young man who wants to be good. The setting of Tiberium is a rich back drop to Imriel's character and the looming spectre of Melisande beautifully shades the portrait of Imriel's life. Though I still find myself pining for the do or die love of Josciline and Phedre I am sure that Imriel will find his own way on Elua's path. And if anything I am glad that the sense of a greater power and the mysteries it holds are still ever present in Phedre, her knowing eyes seeing the truth to all matters. Any fan of Terre'de Ange and its people will be thrilled with this new adventure. Enjoy!!!

This is the second volume in the second series set in Terre D'Ange. It continues the story with Imriel as the main character (the first book that does this is Kushiel's Scion ). When I first got the book, I was afraid that Imriel was the one who would feel Kushiel's Justice and although he does in a sense, the book is really about the conflict between the two cultures - the D'Angeline and the Alban and how lack of trust punishes everyone. I have loved these books since the first one Kushiel's Dart  and haven't been disappointed yet.

The characters! How could you not love them. I loved this book; it was deep, developed and richly painted. I risked my job by sneaking my e-reader to work and reading; it was worth it. Keeping tack of the names was near impossible while some of the syntax was difficult which I found distracting, but the story prevailed. I will definitely continue the series.

I picked up this book surprised that there was another in the series. I had read the first 3 in high school and I was just looking for something to read while traveling. Little did I know that it would be such a great find. It is beautifully written as always and it is hard to put down. It will bring a tear to your eye and put a lump in your throat, but that is the skill of Carey. I bought Kushiel's Justice and I hope that Kushiel's Mercy comes to paperback soon!

I was thrilled to return to the world of Terre D'Ange, even just for a few days. Jacqueline Carey is the greatest writer of Fantasy to come along in recent memory. I was especially moved by her first-person narrative of young Imriel, who is desperate to find his way in the world with the eyes of his people firmly fixed upon him. In my opinion, Carey took a big risk by moving the emphasis of the series away from Phedre and onto Imriel. But she succeeds admirably. I cannot wait for the next book in the series.

Have read the original trilogy some time ago, I was afraid that I would not be able to get back into to caring about the characters without first re-reading the originals. That was not the case at all! My memory was certainly rusty to begin with, but this beginning of a second trilogy pulls you right in and includes gentle reminders of past occurrences whenever necessary, without burdening the reader with a lot of wasted time reviewing "what has gone before." I was also afraid that a new trilogy, focussing on a new main character could not possibly live up to the originals. I was completely wrong. The story is every bit as rich and engrossing as any of the first three books. I was captured immediately and couldn't put it down. Read this book. If you haven't read the first trilogy, read those too. You won't be disappointed.

The Kushiel series by Jacqueline Carey was the best surprise of my summer reading. Her characters have depth and realism. Her plots are intricate and involving and the society/world she has created to put them in is delightfully detailed. The small amount of "magic" (my word, not her's) she employs, does not demean the overall effect. I liked every book, although there were some situations so scary that I was almost afraid to read on. The somewhat erotic nature of the subject is done so naturally that it is not distracting or offensive. Sometimes sexy, often bloody and tense, always entertaining, these books were addictive.

Hero's and legends, magic and love. Tragedy intertwined with adventure of the most noble cause. Beautifully written, this story draws you into the story of love, politics,and the progression of love in its many forms.

Took me a while to get used to the new narrator (Imriel instead of Phedre), but I managed by the end of this epic novel!

I did learn to like Imriel: he feels much more like a normal guy constrained in various ways than the heroic above-and-beyond type that Phedre always managed to be. The big events are still all there though, but Imriel just manages to fall into them rather than Phedre who was partially orchestrating them! (Okay, I still miss Phedre as a narrator).

One thing that especially turned my stomach was the loveless affair. . . oddly, I'd rather the heavy S&M scenes of the Phedre books!

Sorry, I loved the first series and I so wanted to like this one. But the theme is nebulous and the characters are not quite as engaging. This second trilogy got worse for me with each book. It felt more gratuitous, the "erotica" having less purpose, and left me feeling like I was wasting my time.

Hope you enjoy it more than I did.

Carey's beautiful writing style and marvelously written characters carry over into this new series effortlessly. Carey moves from Phedre toImriel, a troubled and gripping boy seeking to find himself and overcome his childhood trauma, and the heritage of suspicion and hatred bestowed by his cunning and dangerous mother. He is very different from Phedre, but no less likeable, and there will be as much anticipation for the next book in this series as there was with the first. Imriels story is very interesting and intriguing and is well worth reading. Devout fans of the Phedre series looking for a continuation of their favorite characters storylines will not be let down as many of the main characters from the previous books have quite an adequate mention in Scion. Readers can look forward to the return of Phedre, Joscelin, Melisande, Nicola L'Envers, and several others. There is also no lack of erotic content for those seeking guilty pleasures in Scion, and it is as well written and important to the understanding of the character as it was in the Phedre books. Carey fans will be well satisfied with Scion and waiting for the next.

As a boy, Imriel was rescued by Phedre and Joscelin. Now on the cusp of manhood, he must face the horrors of his past, the knowledge that his mother is the worst traitor his country has ever known, while trying to live up to the example his foster parents, Phedre and Joscelin, have set. Imri's story is a coming of age story that flawlessly picks up where the original trilogy left off. It was a wonderful, engrossing read!

In Kushiel's Scion, Carey returns to the lush alternate Europe

she mapped so well in the Kushiel's Legacy trilogy. This is

a fascinating world, grounded in an imaginative religion/mythos

and vividly detailed. And as in the Kushiel's Legacy books, Carey has once again created a narrator with a marvelously unique voice.

As young Imriel no Montreve de la Courcel, foster child to Terre D'Ange's greatest living heroes, shares his struggles to find his place in the world and define how to shoulder the legacy of heroism and villainy he was born to, the reader is enmeshed in Terre D'Ange's past and future. The

device of revisiting the stories in Kushiel's Legacy, through Imriel's eyes, was very well-done. And Imriel's own story as it unfolds becomes just as fascinating as Phedre's once was.

I expected to like this book, if for no other reason than that I was eager to revist Terre D'Ange - one of my most favorite landscapes. But this book far surpassed those expectations, going off in directions I had not anticipated. Imriel is a wonderfully complex character - brooding,angry,

wounded,loving, honorable and intensely driven. I really loved this book and impatiently look forward the next volumne. Kudos to Ms. Carey, for finding a way to include and be true to Phedre and Josceline and to give Imriel his own voice and story. Highly, highly recommended for Kushiel's Legacy fans.

I read the first Trilogy and loved it.
Then I read the first book in this series and was less than impressed.

However, I found Kushiel's Justice to be return to the 5-star norm. It was full of much more action and intrigue that was missing in the first book, which had felt like nothing but a bunch of exposition.

Imriel was an orphan, a slave and a goat herder until he learned he is a Prince of the Realm. He is engaged to Dorelei of Alba, the niece of Drustan the Cruarch of Alba who is husband to Queen Ysandre of Terre d'Ange. It is a marriage of state though Imriel's heart belongs to the Dauphine Sidonie, heir to the Terre d'Ange throne. Sidonie loves Imriel with the same passionate intensity that he feels for her.

They embark on an affair that only intensifies their feeling but they are too afraid to admit their love to the queen and cause chaos in both realms. Imriel marries Dorelei and when he moves to Alba, he spills his seed on that soil and an Old One who is a bear shape shifter makes a manikin out of of it. She can use it to control him but she takes a binding oath that she won't. Imriel's relationship with Dorelei is sweet but not passionate. When she becomes pregnant with his child he is elated until the Old Ones strike; Imriel begins a journey of vengeance that will take him too many lands but hopes to reunite with Sidonie when is quest is finished.

KUSHIEL'S JUSTICE is historical fantasy at its finest. Readers who like the works of Judith Tarr will thoroughly enjoy this romantic fantasy. The Old Ones act out of fear and that causes Imriel to learn how to cope with his feelings and change and grow to be a person worthy of being loved. He travels a hard road because his mother was a traitor to the realm and almost caused Terre d' Ange to be conquered. Many people don't trust him although those who get to know him find him an honorable man. Readers will enjoy this long epic saga.

Harriet Klausner

I love The Kushiel books, but the last two have not been as good in my opinion because we now have Phedre and Joc as set decoarations, doing nothing more than looking worried and stroking Imri's head. But we have to be constantly reminded of the past that has only a bit to do with the current plot. Imri has turned out to be an interesting character, but I am not crazy about him or any of the rest of the characters because they just seem watered down compared to Phedre and Joc in the first books. And now Pherde and Joc, and all the other characters from before are watered down. I think it is because there is no way to really do justice to so many old characters, and new ones in a book of any reasonable size. Perhaps there is just too much history there. I will probably buy and read as many books as Carey writes in this series, but unless some real passion comes back, I may never love them as I once did. I also miss Melisande desperately. Perhaps she should write a series from her POV.

In many ways, I like this book better than the original trilogy. While the plot is thinner, or at least less epic, Imriel is easy to relate to while still being wry and clever and steeped in the mythology of his world. Also, the supporting cast in this one is just wonderful. I feel like I could have easily read a whole book about Mavros or Lucius. Carey continues to expand the culture she's created for Terre D'Ange in all sorts of intriguing ways -- the inner workings of House Shahrizai being high on the list. Also, her unsettling knack for burying emotional truths in what should be, but isn't, merely a trashy and fun adventure remains.

This book was amazing! I was searching for a new something to pass the time as I sadly abandoned the Anita Blake Series.
This Book was a welcome change from the mindless sex scenes in the Anita Blake Series.
The book was well written and it contained a very though plot/character development. I was instantly drawn to this book. I finished the book in a matter of days (Sadly work gets in the way of reading time). Imriel is an engaging character! The best part is that he is not alone, Phedre, Joscelin, Gilot, the entire array of characters only enrich the story.

I give this book five stars! And tonight I start the next book Kushiel's Justice.

I like this book a lot more than the first of Imriel's story. Scion was a tale about finding out what Imriel wasn't. So I don't think the reader was aloud to find out who he was. This book he grew and we found out who he was. The journey was heartfelt and real, for lack of a better word. Imriel became someone who stood out, not just another person who lived in a world of his betters. Imriel is a very real character in a book about living myths, and that makes him a little self absorbed, but he found out what it took for him to be good.

I loved this series, from start to finish. Beyond all the politics, sex, and intrigues, there is a core of heart and depth that I thoroughly enjoyed. However, if I read "yoke" misspelled as "yolk" one more time I'm going to go lop the editors head off for using spell check instead of spelling skills.

After waiting so long for Kushiel's Scion to come out, I've built up such high expectations, they were bound to be shattered. And in a way they were. This book was nothing like what I thought it would be, but entirely captivating none the less.

Imriel has his own distinct voice: less formal and more self-aware and introvert than Phèdre's. His battles are internal (although there's a quite spectacular 'real' battle thrown in), and the book is all the more beautiful for it.

I can't wait until the next book in Imriel's trilogy comes out!!!

I have been in love withJacqueline Carey's Kushiel's series. I was so excited i had found a book i loved and there were more of them! The first three detailing Phedre's journeys kept me more fascinated and more eager than any other book i have read. When she wrote numer four the point of view was from Imri, and at first it was odd, i was so used to Phedre. But after all he is Melisande's son and Phedre's too so i kept going and was happpy but not as euphoric as with the other books. Then i was delighted to learn about Kishiel's Justice....SHE WROTE ANOTHER ONE!!!!!! i immediately bought it and had it delivered i started to read it and found i dislike Imri's character a little bit. He is definately not as strong as either of his mom's and while he is finding his own way, i find i do not like the way he is choosing. The book was one i did like but Imri's point of view is not one of my favorite views. Kudos to Carey however on another spectacular Kushiel. I do and wil enjoy the land of her stories and am constantly looking for books to read in the absence of Kushiel. Nothing can come close to Carey's amazing writing or imagination. And i look forward to a new narrator in the next book. (Perhaps Joscelin, or Sidone, or even Alias' adventures in her fathers homeland)

This book, like the first Imriel novel, was rather dull. Imriel is more or less everything Phedre was not, and for that reason I just haven't enjoyed these adventures as much as her first three. Not because I don't like reading stories about young men, but because all the aspects of life in Terre D'Ange that made Phedre's story fascinating are dulled and uninteresting as Imriel lives them. What a shame, and disappointing surprise that turned out to be.

I just can't bring myself to care about Imriel, as much as I wanted and expected to after meeting him in the third Phedre novel. Imriel is rich, beautiful, spoiled, well-loved, pampered, and connected. So why is he so whiny and unhappy all the time? It's just boring, if you're an adult and past the "teen angst" years. In this book, Imriel has to relearn the most basic lesson of life in Terre D'Ange, and that strikes me as ridiculous. Given his heritage, and the example of his adopted family, I just could not believe that he would make the choices that led to the "action" sequences of this book. How can the scion of the gods and adopted son of the living example of Elua's tenet be so dense? He's just so lame.

Even if I did like and care about teenage/young adult Imriel, the "action" of this book just bored me to tears; I actually wanted to just skim over big parts of some chapters. Unlike Phedre, Imriel's solutions to his problems seemed unimaginitive, even cliched- something I never would've expected from Carey if I'd only read the Phedre books. I found it ironic that (again, unlike Phedre) during the most interesting "historical" part of the story, Imriel is off in the wilderness, more or less missing events that would've made for more compelling storytelling. Intead, we get pages and pages of Imriel agonizing over his own thoughts and feelings, and that of a few people in his life. By the time Imriel returns to civilization, all of the real "action" is over. I just thought it was weak writing; there were so many other and more interesting ways Carey could've resolved Imriel's issues.

I really wanted to like these books, and I will read the third, because I hope that by returning an actually interesting character to the story (Imriel's mom), Carey will rediscover her voice. But just as I found her non-Terre D'Ange books on the plodding side, I feel as if Carey is proving to be a writer with limitations. Some writers craft one great tome and a lot of lesser stuff; true fans read and enjoy it all. More critical readers recognize that it's hard to hit a home run every time, and will accept that the Imriel series is a fair addition to Carey's alternate universe, but not really strong enough to recommend on its own.

I'd like to preface my review by saying that I am a huge fan of the initial Kushiel trilogy starring Phedre. These books contain just about everything I look for in a good fantasy. Adventure, romance, eroticism, a well-built world I want to visit again and again. They seem to find the perfect balance between dark and light.

That being said, Kushiel's Scion was a massive disappointment to me. The two stars I have given it are for my love of the series, and the first half of the book, which was good. I loved learning a bit more about Imri, and I enjoyed his relationship with his cousins, the Courcel's and the Shirazai's. The book took a turn for the worse after Imri heads off to college. And the long extended seige/war at the end of the book absolutely ruins it, I was forcing myself to continue reading, sure that there would be something redeeming at the end. There wasn't. I ended up returning this book.

I still have hope for future books in this series. And I will check them out...from the library.

Another great addition to the Kushiel's series. This time the book centers around Phedre & Joscelin's adopted son, Imriel. It deals with a lot of his internal conflict as he faces the legacy of his bloodline, the horrific encounters of his past, the treachory of his parents, and most of all himself. It is interesting to see the character develop and discover who he wants to be.

Now, I admit, I like the first three books of the Kushiel's series better, but this one is still a great read. I hope she follows it up with another good one!

Kushiel's Scion, like Jacqueline Carey's earlier work, is not for the light reader. However if you are looking for intrigue, originality, convoluted plots, and fascinating characters, this is a book for you. Even with some 700+ pages, there didn't seem time to cover all the twist and turns included in this book.

I took this book on a cruise and it did not disappoint. The plot started quickly and kept me intrigued and turning pages. The book is delightfully long and interesting throughout. I look forward to the next installment in the series. If you enjoyed the earlier three books have no fear, you will enjoy this one as well.

Kushiel's Scion is wonderful, though quite different from the previous Kushiel books. There is less political intrigue, and more growing-up on the part of the characters. This book also seemed less resolved at the end, rather than the previous three books which ended on a clear closing note. However, I cannot wait for the next book, and am eagerly anticipating more Kushiel.

I have to counter the five star reviews. I loved the first trilogy but not this. Imriel's quest, to "do good", is nebulous at best and that confused thread lasts throughout all the Imriel books. It made me confused too, as in "Why am I reading this?" I find it impossible to wholly sympathize with his predicaments. Get it from the library -- glad I did.

Words can hardly describe how amazing this book is. I'm not normally an avid reader but once I got a hold of this series I became instantly hooked! I attempted to read it nice and slowly so the book would last longer but I couldn't put it down once I started! Tears, laughter, sorrow - every emotion I could feel, I felt it while reading. Waiting for another book to come out is pure torture but worth every agonizing day.

Jacqueline Carey is a genius and an incredible author!

Jacqueline Carey has a gift for storytelling. This book was a page-turner like the rest of the series, leaving the audience hungering for more. The book stands on its own and readers unfamiliar with the world the author has created in the Kushiel series will be caught up with the characters, unable to put the book down until the last page.

This book was where the series really lost me. It started out pretty interesting, and I thought Imriel was shaping up to be a great character. However, Phedre really earned my disgust here. I mean, "entering Naamah's service" in order to keep the kingdom together was one thing. Doing it in Darshanga in order to save Imriel, and also the entire world, I could understand. In this book, though, she decided to renew her affair with Nicole L'Envers basically just because she was horny and felt like it. While I understand that doing that isn't against the rules of her world, it's against the rules of ours--not just the rules of society, but the rules of morality and being kind to the people around you. She has a son, by this point, and seems completely oblivious to what impact her actions might have on him. She also basically ignores the fact that Joscelin has gone to hell and back for her time after time, and has the scars and left-side weakness to prove it--and maybe she owes him something? The book makes it clear that she can find absolution and the pain she "needs" from Kushiel's temples, so basically her love affair with Nicole is just for kicks. I thought in Kushiel's Avatar that she was beginning to feel a little one-dimensional and annoyingly ignorant of her actions' impacts on the people around her; this book proved that.
More, Phedre here really just seemed to me to be a total child. She hands her son books not just about the mechanics of sex, but about the different ways to enjoy it; she doesn't send him out to any of the readily available sites that could tutor him, she expects him to approach her about it. The fact that she was involved in a sexual relationship, however twisted, with his mother, is something she seems to assume will have no impact on Imriel. She avoids telling him things that basically the entire kingdom knows, leaving him to find out on his own. She "shelters" him from his Kusheline cousins by refusing to allow him to visit them in their territory, but assumes her affair with a fellow courtier ought to have no impact on him. She assumes he, at fifteen, will take it in stride; the fact that her darker desires closely mimic scars he has from what he was put through unwillingly escapes her mind.
Moreover, Carey avoids the obvious reality here that Phedre did NOT in fact enter Darshanga willingly, not really. She didn't know how bad it would be going in, and she was there with the intention of getting Imriel out rather than of pursuing some hidden sexual agenda of her own. A rape victim can get physical pleasure from a rape, but that doesn't mean it's not a rape. What happened to her in Darshanga was a means to an end, not something she ran for because she felt like getting off on being penetrated with something that would rip her apart.
Phedre is supposed to be the heroine of the story; even Imriel repeats this basic myth. Yet Phedre consistently treats Joscelin like a piece of baggage, there to protect her from situations she enters willingly and that he only becomes involved in through loving her. She takes it for granted that he will follow her wherever she goes, will accept her proclivities and let her essentially cheat on him when she feels like it, because she feels like it.
It seems to me this series is supposed to be some sort of feminist wink to the whore inside us all, but I found it really disturbing and morally bankrupt. This entire society already assumes women enjoy being raped and get off on penetration no matter the circumstances. True, many women have rape fantasies, and I applaud Carey for exploring that here. Yet that sort of heroine really only works in a situation in which no one is getting hurt by her self-indulgent choices. It's one thing for a fifteen-year-old to run around having fun with any sexual partner they please; it's another for a woman committed to a man who loves her deeply, raising a child together, to follow her every sexual whim. I absolutely support the idea of sexuality and freedom to love at any age. However, Carey seems to confuse "love as thou wilt" with "take your clothes off for whoever thou wilt", and most women in this day and age have reason to know the two are not the same.
Our heroine may be passionate, but she is also, as Carey's Imriel explains, completely immune to shame. That's intensely problematic, because shame is actually necessary for a person to live a healthy life that does not cause undue harm to others. Carey's Phedre clearly views not just her desires, but her wants and impulses as sacred. Thus she can get away with cheating on her long-suffering, loving functional-husband as "worshiping her God."
This kind of writing is as damaging to men and women's relationships with them as pornography often is damaging to women.

J. Carey moves seemlessly from her Phaedre character to Imriel, bringing the same intense characterisations and well paced story development. Again the backdrops for the drama are intriging and rich; I would love to visit the worlds she builds in my head! As a reader I was immediately drawn into Imriel's problems, and could only watch as he made in- character descisions in awful situations. His triumphs were mine, his pain palpable.

I can read just about anything if it is well written. If not. Then i've no qualms. Setting it aside. To never picking it up again. This book was on the verge of being included in the unread pile when it really caught my interest.
I also approve of the length of this read...nice and long.
Thanks to the author and publisher for a fantastic read!

I have never before come across a book that makes me whole heartedly despise the main character. Far from the potentially exciting and epic figure hinted at in the last book of Phedre's trilogy, Imriel is loathsome. Sulky, angsty, pouty, whiney, and the most self absorbed jerk I've ever come across. The book itself drags on (and on and on), with little real story. Angst about his Twoo Wuv for twenty pages, arrive at a new location. Sob about missing his underage cousin's sexual delights, arrive at new location. The passionate reunions between Imry and Sidonie evoked nothing but a disbelieving "Really? For #@&$'s sake!" from me. Totally self absorbed, not really caring about what the consequenses on thier actions are for the people around them, they are totally unsympathetic, and I really hoped someone would put them out of everyone's misery.
Which is a pity, because I adore the author's other work. But this really feels like she tossed this one to a student of Harlequin Romance to ghost write. Read the summery on wikipedia and save yourself eight hours and a massive head ache.

Like the first four books in the series, this is a well thought out story with great political intrigue and interesting adventures. I recommend reading the novels in order first, to better understand the past experiences of the protagonist, Imriel, but it is written with enough reference that it would still be extremely enjoyable without knowing the prior story. Love the hardcover versions of these books, as they are fairly large volumes.

A wonderful continuance of the first three books. After finally getting used to the fact that it's someone else's voice we're hearing, everything falls into place. I'm so glad the story doesn't end with the first three books! Thanks Jacqueline Carey!

Imriel de la Coucel's agreed to a state marrige, despite the fact that his heart belongs to another. In the wilds of Alba he finds trouble, turmoil and more heartache than he ever imagined.

Carey's Kushiel books just get better and better!

This second book in a second trilogy is anything but second rate. It was terrific! I loved its predessor, Kushiel's Scion, but I loved this one even more. It is definitely worth buying the hardback. I read so much that I normally wait for the mass paper edition, but this one is worth buying NOW.

Carey gives us another fabulous addition to the Kushiel series. She doesn't dissapoint. The book is from Imriel's point of view so it gives us a different perspective on Phedre. This adds to the appeal of the novel as we see her from a different point of view. Imriel has to deal with so much yet he is always couragous and good. I can't wait till the next novel!

Phedre and Joscelin are two of the greatest fantasy characters ever created, and their story, told in the first triology, is one of the more remarkable creations in the fantasy genre.

This new book is a giant step down from lofty heights.

Jacqueline Carey continues her spell-binding series in the fifth book in her Kushiel's series. Each book is as good if not better than the last. Each new character unique to the story. The main characters still sexy, erotic and beautiful...Phedre,Joscelin, Imriel, Sidonie and of course Melissande Shirazai. The only person who made Phedre use her 'safe' word. Imriel plumbs the depths of despair in this book as well as the agoning knowledge that he loves Sidonie.
No matter how long each book is...I fly through the story! The amazing characters created by Carey come to life and propel us through the wonderment of new countries and people (good and evil)as Imriel seeks justice.
I cannot put these books down and look forward with sorrow to the last intalment. :(

Building on the eroticism of the first triolgy, Kushiel's Scion is an excellent opportunity to renew old acquaintances and meet the new actors in what will obvously be a series. A fast paced and thoroughly enjoyable read.

I loved the first trilogy, but this was awful...thin plot line, even more extreme pretentious wordiness than the earlier books, and I felt like almost all the sex was completely gratuitous and it weighed everything down. Read it in one day, was completely disgusted, returned it the next day. I felt so let down because I had been so excited for such a long time.

Tedious

That is the only word I can think to describe this book. I didn't even read the ending, I just skimmed the pages and got the general gist of things.

I am amazed at the reviews. Am I reading the same book here??? The long, repetitive monologues, the non -adventures , the cheesy sex scenes.

I will not by the next book. I should have stopped after the third.

it seems that the author got tired. The book is boring beyond belief, the characters are way too scetchy and the plot a total let down.

In order to maintain the good impressions from the 3 previous books refrain from it.

I'm totally devoted to her Kushiel storyline...but i tossed this one. I was very disappointed in this last book, and wish i could say otherwise. I was hanging in limbo for the book to be finished for months, but read about half of it and that was all i could read.

This is an exceptional series by a gifted author . When you read these books the descriptive writing has you feeling like you are a fly on the wall. You see the green of the countryside o the desert. This is like a historical fiction book with a lot of sexuality. About a different culture, If sexuality offends you then you would not like this series and will miss out on great storytelling about a culture with different kingdoms, about sacrifice for duty and honor. This series of books has more depth and character development with a wonderful historical fiction background way before the popular fifty shades was even thought of.

I was anxious to read the new Kushiel book, but a bit worried because it would be from a totally new view point, that of Imriel, Phèdre's adopted son, the child of Melisande. My concern was needless, as I was swept away into the world made familiar in the previous Kushiel trilogy, and it was just as rich and sensual and redolent of everything that made the previous books so enthralling. Imriel slowly comes of age, and the shadows of his past captivity as a child follow him through life, making him fearful of his budding desires. Imriel wants to be good, something he must reconcile with the feelings and yearnings he has as Kushiel's Scion. He is very mindful of his mother Melisande's treachery, and the powers that be are mindful of his heritage. The Queen would make Imriel, third in line for the throne, a true Prince of the Blood, and court intrigue swirls around him no matter how much he'd wish otherwise. His relationships with his royal cousins, his friendships and adversaries are strong, rich stories that pulled me in and made me one with the Kushiel universe once again.

Fans of Phèdre rejoice, as she is a strong presence in the book, if not the lead character. There are many familiar characters in the book, and several wonderful new faces. We also get a look at more of the world beyond Terre d'Ange and the equivalent of our Rome, Tiberium, as Imriel seeks out answers to questions of the past. Phèdre has taught him the art of Covertcy, as her mentor Anafiel Delaunay had done for herself, but who and where had passed these teachings to Anafiel Delaunay? This and other questions Imriel will seek answers for, and find even more questions along the way.

The reading was gorgeous. Throughout I felt a deep welling ache that was both sadness and joy. This is a worthy successor to the original Kushiel series.