Dexter Is Dead: Dexter Morgan (8) (Dexter Series)

Once again the kids are in danger and need rescuing. Lindsay's plots are as predictable as a Hallmark Channel romance movie.

1.Oh wow Dexter is in a pickle.
2.Wow Dexter gets out of pickle.
3.Oh and the kids are in danger again. Better go rescue those kids.
4.Oh yeah and put in too much unneeded internal dialog from Dexter so you can fill out 200+ pages.

This book is worth a read if you're curious about the ending of the series. Don't expect anything too spectacular.

Before you read this, the last book of the Dexter series . . . make sure you are ready. I mean it, make sure you are ready to say goodbye to this character because I see no way to continue this series without rebooting it and as much as I love that . . . it was painful to say goodbye.

I'm honestly a little disappointed in the actual ending, the final "villain" as it were, but it was still a wortwhile journey and it was enjoyable from start to finish.

Also, if, like me, you thought Dexter's Final Cut was kind of a weak book, DO NOT SKIP IT. You HAVE to read Dexter's Final Cut to understand the plot in Dexter is Dead.

The situation at the beginning is not surprising since it is the sequel of the previous volume where Dexter had been trapped by himself more than anything in a situation where his wife had been killed, his actress lover had been killed by the actor he was training for a series and who was a pedophile attracted by Rita and Dexter’s oldest daughter precisely and as a matter of fact. And at the last minute the daughter kills the actor leaving this Dexter with three corpses, a suspicion of pedophilia on his step daughter and an extremely hostile public opinion and police department because the actor was an extremely popular figure. First surprise since the actor was not from Miami and since there was a case of pedophilia, let me wonder why the FBI did not step in?

So Dexter is in prison from the very start. From there you will not be deceived by the title. We are going to move to Dexter’s death, along with the only one who tried to get him out of the mess, Brian his brother. But this is done so flippantly that the last twenty pages do not convince a good reader at all.

The volume is in the first person which means Dexter is telling us his story, not an outside camera that could capture from outside a whole situation in which Dexter may speak, eventually as a voice over but always from the outside since the person speaking would be an actor and not Dexter himself, so that Dexter’s death would be witnessed by the camera and not told by Dexter himself who anyway, sorry for the repetition is an actor on the screen. Jeff Lindsay mixed up his genres and he dealt with this last volume of his saga as if it were a TV film. But it is not.

So when Dexter tells you, though he has lost his voice, so he is telling us in his own mind what we cannot hear, tells you anyway what he feels when dying it is absurd since there is no witness whatsoever who could tell in the third person what is happening, but not what Dexter would feel. In other words that ending destroys the whole pretence of the first person. In other words it is no longer Dexter who is speaking to us but an outsider who is taking over Dexter, who has been controlling Dexter all along.

Of course Dexter could be talking to us from beyond his death, hence as a ghost, but Dexter had been very clear that there were no ghosts, that there was no after life, that even his dark passenger was nothing but his own mind that was leaning towards that kind of crime, killing people and enjoying it especially when it is done slowly. A sadistic nature that is manipulating his social and cultural being.

But there is nothing we can learn from Dexter any more and all he has said before is questioned if not negated. So the whole fiction is nothing but fiction precisely and hence illogical. We understand that the author does not want to get on the other side of death because he does not believe in it or is in awe in front of it because of his beliefs, but then he had to imagine another exit that should have been survival for Dexter and exit from Miami into another land where he would have disappeared completely, the way the TV series did, thus keeping alive the illusion that anyway did not really work on TV since TV or cinema are voyeuristic arts that make you see something through the eye of the camera, the eye of the cameraman, the eye of the director and maybe a few more like the eye of the editor. A novel is not voyeuristic. It is telling us a story that has and contains its own logic.

Jeff Lindsay broke that logic.

What’s more, sloppily! I will here only take a few details that are particularly irritating because they take us for fools. When Dexter and Brian capture Ivan to question him, Dexter trusses him in the back of the car with duct tape that comes from no where at all, trussed his mouth, arms and legs. And yet Dexter can hear Ivan clicking his teeth with duct tape tightly stuck over his mouth, and probably generously on both sides. Then later on he makes Ivan walk from the car with his legs tied up with duct tape, supported by Dexter for sure but he speaks of Ivan’s stumbling steps. Really! Or the trussing was not very good.

But there are many other elements like that. To find out how Dexter knew his lawyer Kraunauer was the snitch because he finally realizes the meaning of the black SUV he came cross several times we have to have a good memory or to go back a few chapters to understand where Dexter saw the first black or at least dark SUV. Dexter never told us after he realized what was what.

But the worst part has to do with Brian. A hard criminal or rather highly-experienced professional killer and yet he makes the simplest possible mistakes that are indispensible for the story to progress but that are absolutely absurd. Brian would not have survived one year in Miami with such naïve mistakes. Though he has more cash than he can use yet he uses a credit card that can be traced in five minutes with a simple computer plugged on the cloud.

Even worse, at the end Brian gives three seconds for the bomb he throws down into the ship to explode and he counts ONE TWO before throwing it. In other words he kills himself and he could have killed Dexter. In other words he was not there to clean the plate and get rid of the drug lord but he was there to destroy himself and his brother, maybe even Dexter’s step sister and their own four children. That is absolutely unforgivable. A hard criminal like Brian would have set at least two or three minutes on the bomb’s timer so that they could have escaped rather easily. But he did not and he caused his own death and his brother’s. That’s sloppy Mr. Jeff Lindsay.

I don’t think I have to go on but it is all rather skimpy and sketchy and irrational. Just what we had not been used to concerning Dexter. Of course such a sloppy ending could be the way someone gets completely out of their mind because of stress or senility. But that cannot apply neither to Dexter nor to Brian who have personalities that make them resistant to any stress. They cannot be the victims of any Post Traumatic Stress Syndrome of any sort. They are so firm and strong in their psychotic hyper rational overdeveloped structural scientific and technical infallible logic that they cannot make mistakes like the ones I have here pointed out. And there are many more.

Yes “The Stunning End Has Arrived”! But it is not stunning because Dexter takes us to another escape, another level of existence, but because an author decides to get rid of Dexter in some illusionary end that even an average B movie author and actor would not have been able to think of. And actually they did not think of that in the eponymous series. In other words it is the last chapter of Stephen Kling’s “The Green Mile” or “Misery” but written by a Harlequin Romance author. We sure are stunned by such a mediocre ending.

Dr Jacques COULARDEAU